The Conjure Woman (1899) is a collection of stories by African American author, lawyer, and political activist Charles Chesnutt. “The Goophered Grapevine,” the collection’s opening story, was originally published in The Atlantic in 1887, making Chesnutt the first African American to have a story published in the magazine. The Conjure Woman is now considered a masterpiece of African American fiction for its use of folklore and exploration of racist stereotypes of Black Americans, especially those living in the South. In “The Goophered Grapevine,” an old ex-slave named Julius McAdoo—a coachman hired by a white Northerner named John—warns his employer about the land he has decided to purchase. He tells him the story of the vineyard’s previous owner, who hired a woman named Aunt Peggy to put a curse on his famous scuppernong grapes in order to stop his slaves from eating them. Each story in The Conjure Woman follows a similar formula, beginning with a narrative situation involving John and his wife, Annie, before leading to a story from Uncle Julius. “Po’ Sandy,” one of Chesnutt’s most acclaimed tales—and a loose adaptation of Ovid’s Metamorphoses—opens with John deciding to build a new kitchen for his wife. Uncle Julius drives him to the saw mill, where, while watching the saw cut through a log, he is reminded of the story of Sandy, a local man who was turned into a tree by a conjurer in order to escape slavery. The Conjure Woman is a powerful collection of folk takes and stories exploring themes of race, identity, and class in the nineteenth century South. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Chesnutt’s The Conjure Woman is a classic of African American literature reimagined for modern readers.
This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan’s Washington Black.”—Publishers Weekly (starred review) “An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists.
One un ' em wuz name ' Solomon , en de yuther wuz a ' oman w'at wukked in de fiel ' ' long er ' im — I fe'git dat ' oman's name , but it doan ' mount ter much in de tale nohow . Now , whuther ' ca'se Mars Jeems wuz so tuk up wid his own ...
One un 'em wuz name' Solomon, en de yuther wuz a 'oman w'at wukked in de fiel' 'long er 'im – I fe'git dat 'oman's name, but it doan 'mount ter much in de tale nohow. Now, whuther 'ca'se Mars Jeems wuz so tuk up wid his own junesey2 dat ...
Chesnutt wrote the collection's first story, "The Gophered Grapevine," in 1887 and published it in The Atlantic Monthly. Later that year, Chesnutt traveled to Boston and met with Walter Hines Page, an editor at the Houghton Mifflin Company.
The Conjure Woman is a collection of short stories by African-American fiction writer, essayist, and activist Charles W. Chesnutt. First published in 1899, The Conjure Woman is considered a seminal work of African-American literature.
Page asked Chesnutt to forward some of his writing, which was the beginning of a multiple-year correspondence between the two.Chesnutt wrote three more of the stories between 1887 and 1889 he called "Conjure Tales," two of which would ...
The Conjure Woman is a collection of short stories by African-American fiction writer, essayist, and activist Charles W. Chesnutt. First published in 1899, The Conjure Woman is considered a seminal work of African-American literature.
It is Chesnutt's first book, and an important work of African American literature. The seven stories deal with the racial issues facing the South after the war, often through the comments of the character of Uncle Julius McAdoo.
They are less idealistic and romanticized than John's understanding of Southern culture. They tell of black resistance to and revenge against white culture. The stories' basis in folk traditions earned publication of the collection.
The Conjure Woman (EasyRead Super Large 18pt Edition)