Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
This collection also provides a useful reference text for scholars of Australian film and cultural studies, with material on contemporary film-making and pre-World War II cinema.
Peter Weir is, without doubt, one of the most important Australian film directors of all time. His films have had a major impact, both in terms of the Australian film...
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media ...
This volume offers a detailed study of Mann's feature films, from The Jericho Mile (1979) to Public Enemies (2009), with consideration also being given to parallels in the production, style, and characterization in his television work.
A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century.
This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood.
This study is a collection of critical and scholarly analyses of the organisation of the Australian Film Industry since 1990. Particular emphasis is put on globalisation, authorship, national narrative and film aesthetics.
Tex clears his name, captures Moller/Spengler and gets the girl, barmaid Stella Grey (Veda Ann Borg). The protagonist's brief stint as an outlaw is due to the machinations of the villain, who manages to hide his true nature and sabotage ...
This book provides coverage of the diversity of Australian film and television production between 2000 and 2015.
... Verso, 1978) — Literaiy Theory: An Introduction (Oxford: Blackwell, 1983) Ellis, John Visible Fictions (London: Routledge and Kegan Paul, 1982) Fiedler, Leslie Love and Death in the American Novel (rev. edition) (New York: Dell, ...