Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works.Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others.Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
Films of Carol Reed
Carol Reed
Carol Reed
Rhyming text and illustrations describe the life cycle of a salmon.
Details the private life and professional career of Carol Reed, documenting his childhood, his marriages, his working relationship with Graham Greene, and his films.
Although less acclaimed today, Carol Reed's enviable body of work is long overdue for reassessment. James Howard's most recent books have included definitive surveys of the careers of British film-makers Michael Powell and Robert Hamer.
“The” Films of Carol Reed
Robert Moss's study is the first book-length treatment of Reed, examining his career in comprehensive, detailed fashion.
Carol Reed
The remarkable web of plants and animals living around a single old fir tree takes on a life of its own.