Just when, where, and by whom story-telling was begun no one can say. From the first use of speech, no doubt, our ancestors have told stories of war, love, mysteries, and the miraculous performances of lower animals and inanimate objects. The ultimate source of all stories lies in a thorough democracy, unhampered by the restrictions of a higher civilization. Many tales spring from a loathsome filth that is extremely obnoxious to our present day tastes. The remarkable and gratifying truth is, however, that the short-story, beginning in the crude and brutal stages of man's development, has gradually unfolded to greater and more useful possibilities, until in our own time it is a most flexible and moral literary form.The first historical evidence in the development of the story shows no conception of a short-story other than that it is not so long as other narratives. This judgment of the short-story obtained until the beginning of the nineteenth century, when a new version of its meaning was given, and an enlarged vision of its possibilities was experienced by a number of writers almost simultaneously. In the early centuries of story-telling there was only one purpose in mind-that of narrating for the joy of the telling and hearing. The story-tellers sacrificed unity and totality of effect as well as originality for an entertaining method of reciting their incidents.
Presents a collection of fifty-six familiar and unfamiliar stories by such writers as Washington Irving, Ernest Hemingway, Edgar Allan Poe, Harriet Beecher Stowe, Henry James, and Kate Chopin.
Featuring 19 of the finest works in the American short-story tradition, this compilation includes: "The Tell-Tale Heart" by Edgar Allan Poe, "Bartleby" by Herman Melville, "To Build a Fire" by Jack London, "Bernice Bobs Her Hair" by F. ...
for 'Mrs Reinhardt' from Mrs Reinhardt and Other Stories (reprinted by permission of Weidenfeld & Nicolson Ltd). V. S. Pritchett: for 'A Family Man' from On the Edge of the Cliff (reprinted by permission of the author and Chatto ...
Now, The Oxford Book of Caribbean Short Stories, edited by Stewart Brown and John Wickham, brings together fifty-two stories in a major anthology representing over a century's worth of pan-Caribbean short fiction.
“In twenty-nine separate but ingenious ways, these stories seek permanent residence within a reader. They strive to become an emotional or intellectual cargo that might accompany us wherever, or however, we go. . .
Welcome to the world of short stories: 51 Great short stories
Presents a collection of thirty-six of Aesop's fables, including "The Cat and the Mouse," "The Ant and the Grasshopper," and "The Vain Crow."
This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M.R. James. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.
Ranging from the 19th to the 20th centuries, this wonderfully wide-ranging and enjoyable anthology includes Tolstoy, Kipling, Chekhov, Joyce, Kafka, Pirandello, Mann, Updike, Borges, and other major writers of world literature.
Reflecting the fertile culture of the American experience, this collection of stories includes works by Raymond Carver, Jayne Anne Phillips, Ellen Gilchrist, Poe, Hawthorne, Hemingway, Kate Chopin, and other distinguished authors