Jim Meagher’s world as a young man in the Irish-American neighborhood of Riverdale, New York, in the 1950s was a familiar and comfortable one, defined by family, church, school, and friendship. But was there something more to experience from life that could only be found outside those friendly confines? What if he could be a great man, with power and influence and riches? Life would soon take him beyond Riverdale—far beyond it—and teach him valuable lessons about duty, honor, and responsibility. Along the way, laughter and love would also be companions as Jim Meagher discovered the new world awaiting him beyond Brush Avenue—and also discovered that power and influence and riches are not always what a young man wants or needs.
James Axtell, “The White Indians of Colonial America,” WMQ, 3d Ser., XXXII (1975), 55–88; Axtell, The European and the Indian: Essays in the Ethnohistory of Colonial North America (Oxford, 1981), 275–297; J. Frederick Fausz, ...
As the story of the polemic unfolds, moving through many disciplines that include biology, economics, anthropology, theology, geophysics, and poetry, it becomes clear that the subject at issue is nothing less than the totality of the Old ...
The second portion of the book concerns the Historia general y natural de las Indias of Gonzalo Fernández de Oviedo, a work commissioned by Charles V of Spain in 1532 but not published in its entirety until the 1850s.
This updated second edition of The Cinema of Terrence Malick: Poetic Visions of America charts the continuing growth of Malick's oeuvre, exploring identity, place, and existence in his films.
Then, later, Jane understood it to mean they would cleave to each other beyond the efforts of their individual griefs (past, present, and future) to drive them apart. Which their griefs did try to do, over and over, and yet the two of ...
For complaints, see James Axtell, “Colonial America without the Indians,” in Axtell, After Columbus: Essays in the Ethnohistory of Colonial North America (New York, 1988), 222-243; James H. Merrell, “Some Thoughts on Colonial Historians ...
This collection of nearly two dozen detachable, frameable, propaganda posters offer an outstanding selection of examples from East Germany, Russia, Southeast Asia, and China.
Welcome to the New World tells the Aldabaans’ story. Resettled in Connecticut with little English, few friends, and even less money, the family of seven strive to create something like home.
The story of the relations between the scientific and the literary is an original one, and it is told with an elegance that is consistently persuasive.rdquo;-Catherine Belsey, Centre for Critical and Cultural Theory, University of Wales, ...
In A New World Begins, Jeremy D. Popkin offers a riveting account of the revolution that puts the reader in the thick of the debates and the violence that led to the overthrow of the monarchy and the establishment of a new society.