Despite the stock market crash of October 1929, thousands of theatregoers still flocked to the Great White Way throughout the country’s darkest years. In keeping with the Depression and the events leading up to World War II, 1930s Broadway was distinguished by numerous political revues and musicals, including three by George Gershwin (Strike Up the Band, Of Thee I Sing, and Let ’Em Eat Cake). The decade also saw the last musicals by Gershwin, Jerome Kern, and Vincent Youmans; found Richard Rodgers and Lorenz Hart in full flower; and introduced both Kurt Weill and Harold Arlen’s music to Broadway. In The Complete Book of 1930s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway from 1930 through 1939. This book discusses the era’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. It includes such shows as Anything Goes, As Thousands Cheer, Babes in Arms, The Boys from Syracuse, The Cradle Will Rock, The Green Pastures, Hellzapoppin, Hot Mikado, Porgy and Bess, Roberta, and various editions of Ziegfeld Follies. Each entry contains the following information: Plot summary Cast members Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors Opening and closing dates Number of performances Critical commentary Musical numbers and the performers who introduced the songs Production data, including information about tryouts Source material Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and list of published scripts, as well as lists of black-themed and Jewish-themed productions. This comprehensive book contains a wealth of information and provides a comprehensive view of each show. The Complete Book of 1930s Broadway Musicals will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.
The studio cast album by PS Classics (CD # PS-987) includes Rebecca Luker (Kitty), Philip Chaffin (Robert), Victoria Clark, Christopher Fitzgerald, Danny Burstein, and Malcolm Gets. The recording omits “Mr. and Mrs.” and “I Love to ...
The 1910s shaped the future of the American musical. While many shows of the decade were imports of European operettas, and even original Broadway musicals were influenced by continental productions,...
... at the Vivian Beaumont Theatre on April 8, 2008, for 996 performances with Kelli O'Hara (Nellie), Paulo Szot (de Becque), Matthew Morrison (Cable), Loretta Ables Sayre (Bloody Mary), Danny Burstein (Billis), and Li Jun Li (Liat).
Act One: Prologue: “Tradition” (Danny Burstein, Villagers); “Matchmaker, Matchmaker” (Samantha Massell, Melanie Moore, Alexandra Silber); “If I Were a Rich Man” (Danny Burstein); “Sabbath Prayer” (Danny Burstein, Jessica Hecht, ...
Ring Bells! Sing Songs!: Broadway Musicals of the 1930's
Innovations in dance were pioneered by Balanchine and others. Scenic advancements made Astaire's The Band Wagon move across the stage in novel ways. Gershwin's revolutionary Porgy and Bess entered the canon of American Classics.
... Matthew Morrison (Cable), Loretta Ables Sayre (Bloody Mary), Danny Burstein (Billis), and Li Jun Li (Liat). The production included “My Girl Back Home,” which had been dropped during the 1949 tryout and later added to the 1958 film.
He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as "burlesque with a ...
Ethan Mordden's new entry in his history of the Broadway musical looks at an era that brought us not only the gritty reality of "A Chorus Line" and the brilliantly bittersweet works of Stephen Sondheim, but also the nostalgic crowd-pleasers ...
... to why the show ran so long, although audiences loved it. 110 IN THE SHADE (October 24, 1963; Broadhurst Theatre; 330 performances) Production credits: Producer: David Merrick; Director: Joseph Anthony; Composer: Harvey 1 1 6 CHAPTER 4.