In the years since Georges Méliès’s Le voyage dans la lune (A Trip to the Moon) was released in 1902, more than 1000 science fiction films have been made by filmmakers around the world. The versatility of science fiction cinema has allowed it to expand into a variety of different markets, appealing to age groups from small children to adults. The technical advances in filmmaking technology have enabled a new sophistication in visual effects. This second edition of Historical Dictionary of Science Fiction Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on important personalities, films, companies, techniques, themes, and subgenres. This book is an excellent resource for students, researchers, and anyone wanting to know more about science fiction cinema.
HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, ... American Radio Soap Operas, by Jim Cox, 2005. ... African-American Television, by Kathleen Fearn-Banks, 2006.
Over 500 chronologically arranged cross-referenced entries offer coverage of the people, films, companies, techniques, themes, and genres of American cinema.
Many of the Gallagher stories featured robots , whose alloy of human and mechanical features was a fertile source of mistaken identity jokes that had already been exploited by such writers as J. Storer Clouston in Button Brains ( 1933 ) ...
For example, numerous novels conjecture possible alternative paths that might have been taken by history had the South won the Civil War—as in Ward Moore's Bring the Jubilee (1953) or MacKinlay Kantor's If the South Had Won the Civil ...
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is...
When money troubles drive Bailey to the brink of suicide, a kindly angel intervenes to allow him to see what Bedford Falls would have been like without Bailey's efforts to make things better. In particular, without Bailey, ...
Rather it was what these buildings symbolised that was being attacked within this fantasy setting. While the film is based upon a representation of reality, illusion is foregrounded in the continued existence of the referent in an ...
"This second edition of Historical Dictionary of Middle Eastern Cinema contains a chronology, an introduction, and an extensive bibliography.
However , the film and its sequels draw upon numerous predecessors , and the link between Star Wars and its various indirect sources is among the most widely discussed aspects of the film . For example , Joseph Campbell's writings on ...
An earlier version of the film appeared in 1935 with George Raft as Beaumont, Edward Arnold as Madvig, and Claire Dodd as Get Carter (7 971) directed by Mike Hodges. Shown: Michael 172 ~ GLASS KEY, THE.