In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved. Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.
A West End theater in London is shaken up by the crimes of Jack the Ripper in this novel by the New York Times–bestselling author of The Star of the Sea.
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This is the first book which feature all the best work by British illustrator MARK WILKINSON, best known for his cover-art for Rockbands like Judas Priest, Iron Maiden, Marillion and Fish, just to mention a few.
Laura Lam was raised near San Francisco, California, by two former Haight-Ashbury hippies. Both of them encouraged her to finger-paint to her heart's desire, colour outside the lines, and consider the library a second home.
Consequently , the ballet Tudor would call Shadowplay had a humane point of reference . There would be no demons to a exorcize , no Medusa - monster mothers to throttle , none of society's confusing hypocrites to placate .
A tale of phantom wings, a clockwork hand, and the delicate unfurling of new love, Shadowplay continues Micah Greys extraordinary journey.
With their father and brother taken from them, the royal Eddon twins Barrick and Briony have done their best to hold the kingdom together.
“Coach Cox said nothing about Coach B's shadow play. He kept it to himself and kept a very low profile. That is important. If Coach Cox had also said “What da hell?” he would have also been in an 'accident' on the way home,” said the ...
While behind the Shadowline, Prince Barrick must solve the mystery of his past to fulfill his destiny and help his twin sister reclaim their family's throne, while old magics resurface, revealing a plot orchestrated by the gods, fairies, ...
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