Takes a in-depth look at the formidable challenges facing the Canadian television industry at the dawn of the twenty-first century. The current consensus within the industry alternates between a paternalistic model that promotes national culture and identity, and a laissez-faire approach that calls for a large-scale de regulation of the industry. To better understand why the industry is confronted with this difficult choice, the authors begin by exploring a number of key political decisions that have helped shape the way television is integrated into the Canadian social fabric. First, they consider the complex relationship between the nation, state and culture in the political formation of a sovereign country, and the often delicate balance between culture and polity. Secondly, they look at the impact of multiculturalism and globalization on the regulatory framework and the potential development of international markets and audiences. Thirdly, they examine the nature of the audience and the cultural value of television as a 'mass' medium. Lastly, the technological environment is addressed and the subsequent impact on the cultural value of meaning is considered. From this careful examination, the authors demonstrate that in order for the Canadian television industry to survive it must organise itself around new conceptions of multiculturalism, globalization, and technological determinism. The authors thus contend that the industry must embrace a more heterogeneous model of languages, cultures, and viewing strategies, with the ultimate goal of re-imagining the nation by the revitalisation of one of the principal cultural conduits of national identity.
This is an entertaining and nostalgic encyclopedia of Canadian television. History textbooks pale in comparison to this retro look at what's hot and what's not on Canada's small screen.
While principally an overview of the last half century and an analysis of current conditions, Documentary Television in Canada also includes detailed analysis of selected programs, such as the For the Record series on schizophrenia, ...
... Peter C. Newman , Frank Peers and Ian Morrison , filed a detailed intervention before the CRTC aimed at ensuring that CTV enhanced its service to the Canadian public . The intervention began with the observation , “ The CTV ...
... children with three duties: (1) buy goods, (2) influence family buying decisions, and (3) become “good” future consumers. These three duties are rather uncritically described in Anne Sutherland and Beth Thompson's book Kidfluence.
In Dying Hard only once is the typicality of St Lawrence , Newfoundland , for Canada made explicit , when the voice - over states : ' The story could repeat itself anywhere in Canada any day . Many Canadians retain an image of their ...
In this provocative, funny book, Morris Wolfe argues that there are profound differences between Canada and the U.S., which are reflected every day on the "box populi".
Breaking News? traces the development of infotainment and exposes the impact of these kinds of programs on modern political communication.
At the 1939 World's Fair and the Canadian National Exhibition (CNE), RCA introduced and promoted a novelty known as television. Two decades later, this technology was well on its way...
... writer) 1982 The Merry Wives of Windsor 1983 An Englishman Abroad (writer) 1986 The Insurance Man (writer) 1986 Breaking Up 1986 Man and Music (narrator) 1987 Talking Heads ("A Chip in the Sugar," "Bed Among the Lentils," "A Lady of ...
But he admitted that nothing had prepared him for the depth , beauty and power of the teleplay.49 In another vein , there's Michel Tremblay's reminiscences about how he became enamoured with the idea of writing drama .