Tom Thomson's most influential paintings as chosen by his friends and collectors, illustrating a moving, untold story in Canadian art. In spring 1918, Lawren Harris and J.E.H. MacDonald, two members of the soon-to-be-formed Group of Seven, met in the Studio Building in Toronto. Their friend Tom Thomson had died the year before, and they determined to establish him as one of Canada's great artists. Most of his paintings and sketches were stacked up in the studio. They would select the best, mark their comments on the back of these works and make sure they got into Canada's most prestigious public and private collections. These two great artists had been Thomson's mentors and friends, teaching him about current art movements and coaching him in painting techniques. The pupil would become the master -- and Harris and MacDonald, together with A.Y. Jackson, wanted to be sure that he would be recognized and remembered. Art historian Joan Murray has constructed a beautiful, intimate treasury of Thomson's "best paintings," as chosen by these artist friends and later major collectors, and has written an insightful commentary on each one. Knowing the story that lies behind Thomson's great works helps us to view these paintings with new insight and appreciation. We understand what makes these works special.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...