Examines the quilts and personal histories of Mormon pioneer women who crossed the U.S. in the 19th century
... Star of Bethlehem quilt, circa 1900, OM H81.73.44; Delectable Mountains quilt, circa 1895–1910, OM H73.56.1; Mary Bywater Cross, Quilts and Women of the Mormon Migrations: Treasures of Transition (Nashville: Rutledge Hill Press, ...
She is currently working on a guide to researching men's and women's clubs. mary bywater cross is a quilt ... She has written Treasures in the Trunk: Quilts of the Oregon Trail (1993) and Quilts and Women of the Mormon Migrations: ...
42. John S. Dinger, ed., The Nauvoo City and High Council Minutes (Salt Lake City, UT: Signature Books, 2011), 11, 36, 81. 43. Nauvoo Relief Society Minute Book, April 28, 1842, 36, LDS Church History Library, accessed May 2016, ...
Many county records have been filmed, such as: q Baker County Court of Ordinary marriage records, 1874- 1935 (film 0522798 ff.). • Baker County Superior Court minutes, 1879- 1914 (film 0522793 ff.), at the Baker County Courthouse in ...
Gaubatz , Caryl , Interview by Jana Hawley , October 23 , 1999 . Alliance for American Quilts , Tape Number 38. Transcription at www.centerforthequilt.org/qsos . Retrieved February 27 , 2007 . " Speaking of Quilts : Voices from the Late ...
... in Turner and Turner's analyses of pilgrimage, and the performance of and responses to the semiotic or social object as a 'vehicle' (Peirce n.d., cited in Hartshorne and Weiss, 1931; Turner and Turner, 1978: 143) carrier of story.
After completing high school Olympia Brown attempted to enter Michigan University, but the school would not accept women. She began study at the prestigious Mount Holyoke Female Seminary but soon found the school's rules too restrictive ...
Frontier Feminine charts these significant shifts in the Western's transmission of gender values and expectations and aims to expand the critical arena in which Western film is situated by acknowledging the importance of women in this genre ...
Quilts are a lot like people. They are not overnight undertakings. They seldom turn out the way they were intended. Colors change when you run short of fabric. Edges misalign...
... series grew out of a group of portraits I was doing of my friends in which I abandoned traditional and classical formats typical of my training and let my imagination, creative impulses and humor out on a very long tether.