Eric Bogosian is one of our most singular and exhilarating commentators on American life. His award-winning solo performance works have been performed with acclaim all over the world. As the New York Times has pointed out, “Bogosian is a born storyteller with perfect pitch.” That is never more evident than in his newest book, which collects his three most recent plays. In Humpty Dumpty, five friends gather for a holiday at a mountain getaway where unforeseen events bring them to the brink of the end of the world; Griller, set in a New Jersey backyard, where a barbecue gathering turns sinister and deadly; and Red Angel, Bogosian’s riff on Von Sternberg’s The Blue Angel, reset on a college campus in 1990s New England. “I want theater to wake me up, not lull me to sleep. My theater is not about fantasy, it’s not about seduction. My theater is not an outline for a film. It is not a TV sitcom onstage. I want my theater to be an event. I want it to push limits, bite the hand that feeds it and bang heads. It’s about my fears, my ideas, my blind spots, my isolation.”—Eric Bogosian One of America’s premier performers and most innovative and provocative artists, Eric Bogosian’s plays and solo work include suburbia (Lincoln Center Theater, 1994; adapted to film by director Richard Linklater, 1996); Sex, Drugs, Rock & Roll, Pounding Nails in the Floor with My Forehead; Griller; Humpty Dumpty; 1+1; Skunkweed; Wake Up and Smell the Coffee; Drinking in America; Notes from Underground and Talk Radio (Pulitzer Prize finalist; New York Shakespeare Festival, 1987; Broadway, 2007; adapted to film by director Oliver Stone, 1988). He has starred in a wide variety of film, TV and stage roles. Most recently, he created the character of Captain Danny Ross on the long-running series Law & Order: Criminal Intent. In 2014, TCG published 100 (monologues), a collection that commemorates thirty years of Bogosian’s solo-performance career.
A pioneering study by Philip Timberlake, long ignored by mainstream scholarship, revealed the huge difference in the number of lines with feminine endings ...
Questioning the lengths people should go in the name of a cause, Timberlake Wertenbaker's Winter Hill premiered at the Octagon Theatre, Bolton, in May 2017.
The Love of the Nightingale
Based on a historical incident.
Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with ...
This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.
When Lucy, an ordinary teenager, feels ignored by her family, she brings her childhood fantasy friend Zara back to life, only to have her materialize and bring with her a dream family for Lucy
Its greatest pleasure comes from Mr Plummer's taking you step by step through Lear's enormous changes in temperament and insight, and justifying every turn on both an intellectual and gut level. I have never seen an audience so ...
Cast: Matte Osian (Richard), Barry Smith (Bolingbroke), Frank O'Donnell (Gaunt), Kadina de Elejalde (Queen), Robert F. McCafferty (Northumberland), David W. Frank (York). Running time 93 minutes. An independent film shot on a disused ...
This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.