In the closing years of the twentieth century, classical music and opera have undergone radical transformation, and a structure that stretched back to Bach and Handel has been destroyed.
In recent years, the price of concert tickets has risen beyond the reach of ordinary music lovers-and orchestras have been limited to catering to the tastes of the rich. And yet, with box office receipts soaring, orchestras are dying. They need big-name performers to attract audiences, but are held ransom by the stars, who demand exorbitant fees, while orchestra members must take cuts in pay.
In this controversial and polemical book, Norman Lebrecht writes the start-to-finish history of the classical music business: its heroes, villains, lions, and legends. Rich on inside information and vital statistics, this is a successor to The Maestro Myth, in which Lebrecht laid bare the hidden crisis in the conducting profession. In this vital, penetrating, and lively account he records the final days of serious music as an independent art and confronts the murderers of classical music.
The record industry has fallen into the hands of arms producers, music has lost control of its own production. Lebrecht traces the history of the classical music business. He records...
In this compulsively readable, fascinating, and provocative guide to classical music, Norman Lebrecht, one of the world’s most widely read cultural commentators tells the story of the rise of the classical recording industry from ...
... Gustav Mahler and the New York Philharmonic Orchestra Tour America . Lanham , MD : Scarecrow Press , 2006 . Walter , Bruno . Briefe : 1894-1962 . Frankfurt : Fischer , 1969 . Gustav Mahler . Translated by James A. Galston . London ...
Ralph Locke and Cyrilla Barr ( eds . ) , Cultivating Music in America : Women Patrons and Activists since 1860 ( Berkeley , University of California Press , 1997 ) . Cyrilla Barr , Elizabeth Sprague Coolidge : American Patron of Music ...
For the vast majority of its fans around the world, the experience of listening to classical music has been through recording.
Now updated and including two new chapters, this volume portrays the politics and inflated economics surrounding the podiums of today's international classical music scene, and the obstacles faced by blacks, women, and gays.
Only 40 years later does Martin get his first clue about what happened to him. In this ravishing novel of music and suspense, Norman Lebrecht unravels the strands of love, envy and exploitation that knot geniuses to their admirers.
Beethoven’s Skull is an unusual and often humorous survey of the many strange happenings in the history of Western classical music.
"Who Killed Homer?" is a blistering indictment of college administrators and classicists who have compromised scholarly standards for both professors and students, from whom deep, rigorous learning is no longer expected.
Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" ...