Amiri Baraka-dramatist, poet, essayist, orator, & fiction writer-is perhaps the preeminent African-American literary figure of our time. Yet, until now, it has been impossible to find the full range of his work represented in one volume. The LeRoi Jones/Amiri Baraka Reader provides the most comprehensive selection of Baraka's work to date, spanning more than thirty years of a brilliant, prolific, & controversial career in which he has produced a dozen books of poetry, twenty-six plays, eight collections of essays & speeches, & two books of fiction. This essential anthology also contains previously unpublished work-including essays on Jesse Jackson & James Baldwin-as well as a chronology & a full bibliography. The LeRoi Jones/Amiri Baraka Reader includes poems from Preface to a Twenty Volume Suicide Note, The Dead Lecturer, Black Magic, Hard Facts, It's Nation Time, & Poetry for the Advanced; the plays Dutchman, Great Goodness of Life, & What Was the Relationship of the Lone Ranger to the Means of Production?; essays from Blues People, Social Essays, Black Music, Daggers & Javelins, & The Music: Reflections on Jazz & Blues; & much, much more.
This prose-poem styled memoir of poet, novelist, playwright and black activist delineates the politics and the personal drama of the man who has dared face injustice with violence and flaunted...
Here, for the first time under one cover, is the collected fiction of one of America's greatest writers. LeRoi Jones, later known as Amiri Baraka, may be most famous for...
The first section of the book, “War Stories,” offers six stories enmeshed in the volatile politics of the 1970s and 1980s.
They deal, it might be said, with the black man in black America. Yet these tales are not social tracts, but absolutely masterful fiction—provocative, witty, and, at times, bitter and aggressive.
Selected by Paul Vangelisti, this volume comprises the fullest spectrum of Baraka’s rousing, revolutionary poems, from his first collection to previously unpublished pieces composed during his final years.
Published under the author's earlier name: LeRoi Jones.
Containing these poems which the author most wants to preserve, this volume summarizes the career to date of the man who has been called "the father of modern black poetry."...
Interviews from over the course of the author's career document his views on writing, poetry, drama, and the social role of the writer
A fuller version of the author's autobiography, without the cuts made by a previous publisher, details his life through 1974, and explains the development of his Black Nationalist views and his embrace of Islam and Marxism.
Little attention has been given to this poem's relationship to Hart Crane. The imagery of suicide by drowning (after the speaker has leapt from the bridge itself) which dominates the poem's ending should certainly be considered in the ...