A collection of the rare '50s pinups that led to the artist's final gig, as Playboy's first star cartoonist. In the rarefied realm of classic cartoon pin-up art, nobody did it better than Jack Cole. With his quirky line drawings and sensual watercolors, Cole, under Hugh Hefner's guiding hand, catapulted to stardom in the 1950s as Playboy's marquee cartoonist, a position he held until his untimely death at the age of 43. Jack Cole, most recently the subject of a book profile by Art Spiegelman and Chip Kidd (Jack Cole and Plastic Man: Forms Stretched To Their Limits) has been justly celebrated as the creator of Plastic Man and an innovative comic book artist of the 1940s. Cole had sold a handful of cartoons to magazines such as Boy's Life, Colliers and Judge in the '30s and '40s, but after finishing his 14-year run on Plastic Man, he found himself back at square one in an idiom that didn't come naturally to him: the gag cartoon. According to Cole, his savior was the Humorama line of down-market digest magazines. This girls and gags magazine circuit proved to be the perfect training ground to regain his footing and develop his craft at single panel cartoons. While Cole may have been honing his skills as a gag writer, his ability to render the female form was already without peer. Though he signed his cartoons "Jake," Cole's exquisite line drawings and masterful use of ink-washa skill he carried over Playboy betrayed his pseudonym. In comparison to his contemporaries, however, Cole was probably Humorama's least prolific artist. Though his images were frequently used for covers, Cole's cartoons were few and far between, with scarcely a single drawing appearing every five issues. Along with a foreword by Warner Brothers Animation designer Shane Glines, this volume collects the best of these hidden gems, including several shot from Cole's stunning original art. Most of these drawings have not seen print in more than 50 years; taken together, they provide a rare glimpse into the singular artistry of Jack Cole.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...