The gender-specific monologs in this theatre text are highly original works not found in other published versions. All are from very recently produced plays from both well-known and emerging new writers. The selections are for women actors fifteen to thirty years of age, suitable for competitive auditions, acting exercises, forensics, class, or studio work. These monolog characterizations address the major trends and conflicts of today through revealing glimpses of society. A valuable resource for any auditioning female actor or theatre student with over ninety monologs to choose from.
This new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date!
An Introduction to Theatre Arts Thomas S. Hischak ... George S. Kaufman: His Life, His Theatre. New York: Oxford University Press, 1979. Grebanier, Bernard. Playwriting: How to Write for the Theatre. New York: Thomas Y. Crowell, 1961.
This new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date! Classroom-tested, the year-long curriculum covers the entire spectrum of theatre.
... theatre and film. www.thomashischak.com Mark A. Robinson is the author of the two- volume reference series The World of Musicals; Sitcommentary: Television Comedies That Changed America; The Encyclopedia of Television Theme Songs; ...
This new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2020 copyright date! Classroom-tested, the year-long curriculum covers the entire spectrum of theatre.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly.
The new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2021 copyright date! Classroom-tested, the year-long curriculum covers the entire spectrum for your Theatre 2 class.
The new edition is gender neutral, better organized, updated to reflect modern technology and social media, and has a 2021 copyright date! Classroom-tested, the year-long curriculum covers the entire spectrum for your Theatre 2 class.
Mae and Lloyd have been living together for a longtime. Lloyd was brought into the house by Mae's father, who decided for unknown reasons to take care of him. Mae continues to tend to his needs, sexual as well as emotional and material.
Two scholars of contemporary interventionist theatre, Alan Filewod and David Watt, argue that such “strategic ventures” involving like—minded artists and activists collaborating together on specific projects, provide the best strategy ...