The seventh novella in the National Book Award Finalist I Hotel, following San Francisco’s Asian-American community through the civil rights era. Centered around the International Hotel, a historic low-income residence in San Francisco’s Chinatown, the ten novellas of Karen Tei Yamashita’s epic are each devoted to a single year in one of America’s most transformative decades. This multi-voiced fusion of prose, playwriting, graphic art, and philosophy spins a kaleidoscopic tale of America’s struggle for civil rights, all played out among Yamashita’s motley cast of students, laborers, artists, revolutionaries, and provocateurs. In 1974: I-Migrant Hotel, the International has a new landlord—a multinational corporation based in Hong Kong—and the residents are more than a little uneasy about what this means for them. It’s the Year of the Tiger, and while Felix and Macario build a retirement home for Filipino farm workers down in Delano, they also study the situation back in Chinatown.
In Karen Tei Yamshita: Fictions of Magic and Memory, edited by A. Robert Lee, 105–22. Honolulu: University of Hawai'i Press, 2018. Hsu, Ruth Y. and Pamela Thoma, eds. Approaches to Teaching the Works of Karen Tei Yamashita.
The first of ten novellas in the National Book Award Finalist I Hotel, following San Francisco’s Asian-American community through the civil rights era.
In the afterword to I-Hotel, Karen Tei Yamashita summarizes the paradox of historical recovery she encountered ... The titles of these novellas either include homophones, such as in 1968: Eye Hotel, 1970: 'I' Hotel, 1971: Aiiieeeee!