An epic struggle over land, water, and power is erupting in the American West and the halls of Washington, DC. It began when a 4,000-square-mile area of Arizona desert called Black Mesa was divided between the Hopi and Navajo tribes. To the outside world, it was a land struggle between two fractious Indian tribes; to political insiders and energy corporations, it was a divide-and-conquer play for the 21 billion tons of coal beneath Black Mesa. Today, that coal powers cheap electricity for Los Angeles, a new water aqueduct into Phoenix, and the neon dazzle of Las Vegas. Journalist and historian Judith Nies has been tracking this story for nearly four decades. She follows the money and tells us the true story of wealth and water, mendacity, and corruption at the highest levels of business and government. Amid the backdrop of the breathtaking desert landscape, Unreal City shows five cultures colliding—Hopi, Navajo, global energy corporations, Mormons, and US government agencies—resulting in a battle over resources and the future of the West. Las Vegas may attract 39 million visitors a year, but the tourists mesmerized by the dancing water fountains at the Bellagio don’t ask where the water comes from. They don’t see a city with the nation’s highest rates of foreclosure, unemployment, and suicide. They don’t see the astonishing drop in the water level of Lake Mead—where Sin City gets 90 percent of its water supply. Nies shows how the struggle over Black Mesa lands is an example of a global phenomenon in which giant transnational corporations have the power to separate indigenous people from their energy-rich lands with the help of host governments. Unreal City explores how and why resources have been taken from native lands, what it means in an era of climate change, and why, in this city divorced from nature, the only thing more powerful than money is water.
Urban experience in modern European literature and art From earliest recorded history the city has formed one of the magnetic poles of human existence . But the growth of great metropolises during the nineteenth century gave an ...
Robert Liddell produced during his lifetime a distinguished list of novels and critical works. With the recent reissue of his Oxford novel, The Last Enchantments, and the autobiographical Stepsons and...
From the nights in old Soho, where an anonymous green door was the gateway to a decadently dingy paradise, to the days amid the shabby post-industrial elegance of Hackney's canalside warehouses, this is a nostalgic love song to the drifters ...
This hilarious guide to a culture gone mad with sex and self-care minces no words and spares no egos. We the people of Unreal City are no better, and certainly no smarter, than our fathers. But fear not.
This book is particularly interested in how Dickens's treatment of the city allows him to re-examine traditional Christian discourses on the issues of revelation, renunciation and regeneration.
Unreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams
Allan Carlson , founder of the Howard Center for Family , Religion , and Society , has pointed out that the welfare state initiated in the United States under Franklin Roosevelt was initially quite friendly to marriage and to the father ...
The Unreal Cityis giving renaissance. The kind that might lead to actual enlightenment."--Marwa Helal Prior praise for Mike Lala: "Poetry only in that it announces itself as such: this is performance, myth creation, and rally cry.
From the nights in old Soho, where an anonymous green door was the gateway to a decadently dingy paradise, to the days amid the shabby post-industrial elegance of Hackney's canalside warehouses, this is a nostalgic love song to the drifters ...
Sarah Wilkes is desperate enough to do anything, even make a deal with the Devil -- or in her case, a familiar spirit. Is finding out the truth worth becoming part of the Unreal City forever?