In a career that has spanned more than forty years, Matthew Carter has designed many of the typefaces that we see every day in and on publications, books, signs, and screens. Carter's celebrated typefaces include such stalwarts as Galliard, Mantinia, and Verdana. In 1975, he created the now-pervasive Bell Centennial specifically for use in phone books. Publications including Sports Illustrated, the Daily News, Wired, and the Washington Post, along with cultural institutions such as the Walker Arts Center and The Victoria & Albert Museum, have all commissioned Carter fonts. Typographically Speaking: The Art of Matthew Carter entered the field in the days of hand-cut punches and hot-metal type, and has continued to innovate through the eras of photocomposition and digital design. Essays discuss the form of his work, his position and use of typographic history, and his technological innovation. All of his fonts are reproduced in full for reference, and illustrations place his designs in context. Published in conjunction with the University of Maryland Baltimore County.
A Checklist of Typefaces Designed by Matthew Carter
In this book, Jason shows Web designers how to apply the principles of fluid typography, Web-safe fonts, downloaded fonts, and type on images to create robust scalable designs without resorting to type in images or Adobe Flash.
1959) ABCDEFGHIJKL Seminal Glyphic Typefaces: Augustea (Aldo Novarese, Alessandro Butti, 1951) Charlemagne (Carol Twombly, 1989) Fritz Quadrata (Ernst Friz, Victor Caruso, 1975) Laudatio (Friedrich Poppl. 1982) Lithos (Carol Twombly, ...
The Designer's Guide to Professional Typography Ilene Strizver ... the safest ways to combine typefaces is by using a type super family or system that contains different variations on a theme, so to speak. ... typographically speaking!