The need to personalize our surroundings is a defining human characteristic. For some this need becomes a compulsion to transform their personal surroundings into works of art. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, has undertaken the mission to preserve these environments, which are presented for the first time in Sublime Spaces and Visionary Worlds. This colorful and inspiring book features the work of twenty-two vernacular artists whose locales, personal histories, and reasons for art-making vary widely but who all share a powerful connection to the home as art. Featured projects range from art environments that remain intact, such as Simon Rodia's Watts Towers in California, tosites lost over the years such as Emery Blagdon's six hundred elaborate "Healing Machines," made of copper, aluminum, tinfoil, magnets, ribbons, farm-machinery parts, painted light bulbs, beads, coffee-can lids, and more. Sublime Spaces and Visionary Worlds is the first book to explore these spectacularly offbeat spaces in detail.From "Original Rhinestone Cowboy" Loy Bowlin's wall-to-wall glitter-and-foil living room to the concrete bestiary of "witch of Fox Point" Mary Nohl, each artist and project is described in detail through a wealth of visuals and text. Sublime Spaces and Visionary Worlds reminds us that our decorative choices tell the world not just what we like but who we are.
This colorful and inspiring book features the work of twenty-two vernacular artists whose locales, personal histories, and reasons for art-making vary widely but who all share a powerful connection to home-as-art environments.
Hall, “Problem of Martín Ramírez,” 231. 26. Espinosa, Martín Ramírez, 1. Espinosa is a sociologist and ethnographer who focuses on the intersection of art and transnational migration. He notes that, after thirty-two years of seclusion, ...
Katherine Anne Porter: A Life. New York: Simon and Schuster, 1982. Gombrich, E. H. The Preference for the Primitive: ... Leavell, Jay C. Jay's Montgomery Remembered. Comp. by Jo Leavell Fleming. Montgomery, AL: J. L. Fleming, 1986.
... Worlds (Cologne, 1999); R. M. Manley, et al, Self-Made Worlds: Visionary Folk Art Environments, New York, 1997; S. Rosen, In Celebration of Ourselves (San Francisco, 1979); and L. Umberger et al, Sublime Spaces and Visionary Worlds ...
40 In Los Angeles this was an especially dubious legacy as the 1950s had been marked by nasty public art controversies. For a brief period from 1948 to 1951, Los Angeles had hosted a remarkable art program of festivals, ...
Visionary Worlds and Trauma Daniel Wojcik. ———. 2003. “Martin Ramírez: Master of Los Altos.” In Vernacular Visionaries: International Outsider Art, ed. Annie Carlano, 48–63. Santa Fe, NM: Yale University Press in association with the ...
Mario Sanchez's work can be found in the Tampa Museum of Art, the Museum of Art in Fort Lauderdale, and the Key West Art and Historical Society. KRISTIN G. CONGDON University of Central Florida Kristin G. Congdon and Tina Bucuvalas, ...
... Sublime Spaces and Visionary Worlds: Built Environments of Vernacular Artists (New York, 2007). Since the final decade of the last century, in particular, many books focused specifically on American self-taught and outsider art, often ...
BARBARA GRAHAM is an anthropologist with a special research interest in material culture and death in Ireland. ... She has worked as a university tutor in anthropology and, in 2016, published Death, Materiality, and Mediation: An ...
Elijah Pierce. The Story ofJob (ca. 1936). Carved and painted wood, 16 × 29 × 2 inches (40.64 × 73.66 × 5.08 cm). ... Bibliography Conwill, Kinshasha, Arthur C. Danto, Edmund Barry Gaither, Grey Gundaker, and Judith McWillie.