Watson's draws on a wide assortment of Fassbinder interviews--many of which are not available in English--and on theoretical and critical approaches employed in the Frankfurt School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life. A comprehensive, balanced study, 'Understanding Rainer Werner Fassbinder' also features an annotated bibliography, extensive notes, a filmography of Fassbinder's works, and a listing of films and television programs that examine Fassbinder and his achievements."--Back cover.
This book is an attempt to trace and illuminate, through interviews with colleagues, friends, and contemporaries, different perspectives about Rainer Werner Fassbinder.
With this stellar collection of essays, the achievements of his career unfold in all their astonishing range and diversity, across all their beauties and shocks, with all their pleasures and difficulties.” Timothy Corrigan, University of ...
Of all the filmmakers who created a new international cinema in the 1960s and 1970s, the young German writer-director Rainer Werner Fassbinder (1945-1982) was unquestionably the most prolific and among...
In a French bordello, a young sailor meets a murderer who also is his supposed brother.
It is a matter of speculation whether these models came to Fassbinder directly from the nouvelle vague, or via the debut films of Rudolf Thome, Klaus Lemke and Roland Klick, three 'tough-guy' directors also based in Munich in the late ...
In Rainer Werner Fassbinder's A Year of Thirteen Moons, the camera watches the prostitute Red Zora as she watches Fassbinder in a television interview. The actress is Ingrid Caven, the...
This book, like Fassbinder's often-used image of the mirror, brilliantly reflects the sexual, political, and overwhelmingly human contradictions inherent in the life of this intensely creative man and the remarkable films he directed.
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Fassbinder's version of modern post-civilized terror was, like much else about his work, ahead of its time. --San Francisco Chronicle
Here , by showing the victories of Maria and the " women of the ruins " to be hollow , he also shows up the hollow victory of the economic miracle , which is parodied in sportscaster Zimmermann's voice hysterically screaming ...