Revolutionary piano pedagogue Abby Whiteside (1881-1956) influenced generations of pianists in America and elsewhere. Whiteside's pioneering approach to piano technique stood apart from the mainstream of piano teaching in her day, and her ideas remain essential to piano pedagogy even now. Fiercely committed to developing in her students what she called a "basic rhythm" - a sense of physical continuity and ease that emphasizes musical structures - Whiteside as a teacher encouraged students to express the basic emotional rhythm of the music, and her understanding of the mechanics of piano playing enabled them to avoid the strains and injuries often experienced by pianists. This reprint of the two long-out-of-print works has been eagerly awaited by teachers and students of piano music in many countries. At last Whiteside's ideas will be accessible to new as well as to longtime disciples of this devoted and brilliant teacher of piano.
William Grant Still and the Fusion of Cultures in American Music
... 475 Hummin ' to Myself ( Ronstadt ) , 390 The Hunter ( Blondie ) , 169-70 The Hunter ( Ike and Tina Turner Revue ) ... James , 183 , 185 , 186 , 192 " Honeymoon Suite , " 470 Honky Tonk Angel ( Cline , P. ) , 66 Honor ( benefit CD ) ...
RAY NANCE ( trumpet ) , JOHNNY HODGES ( alto sax ) , FLIP PHILLIPS ( tenor sax ) , EARL HINES ( piano ) , AL CASEY ... session with ( I to r ) : Flip Phillips , Oscar Pettiford , Ray Nance , Betty Roché , Sid Catlett and Earl Hines .
Surgeon's Call
I had been invited as special guest on a Jerry Douglas Christmas tour, wryly titled “Jerry Christmas.” It was an honor and a challenge for me to play with Jerry and his band of high-level musicians. But for Aimee and Tanner it was a ...
The 1920–21 series of three “Tuesday nine o'clocks” at Jenkins Art Galleries featured the Hambourg Trio along with the English baritone James Campbell-McInnes who was, like Guerrero, a new arrival on the Toronto musical scene.9 ...
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
这些经历让我对剧院极其憎恶:日复一日无休止地重复同样的台词和同样的动作,还要忍受他人的任性多变。而且戏剧对人生的看法,以及它的废话连篇都令我非常厌恶。我离开了戴利,返回到位于卡耐基音乐厅的练舞房里。尽管收入不多,但我又可以穿上那件白色的希腊 ...
《瓦格纳与哲学:特里斯坦和弦》将作曲家瓦格纳的艺术生涯置于他那个时代的哲学背景中,详细而全面地研究了瓦格纳与哲学家之间的密切联系:从马克思以前的社会主义者到费尔 ...
我从来不看乐评,不关注别人的赞扬,能听到观众的好评固然值得高兴,但我更关注的是如何将自己变得更好,在下一场音乐会中发挥得更出色。△有人问我,对当今世界舞台上非常活跃的陈美有什么看法?我认为:“陈美的演奏风格是古典加流行,从古典转向流行相当容易, ...