It is too often forgotten that every Assyrian “historical” inscription functioned in a very specific context. This context influenced its content and the way in which it was perceived by ancient viewers and readers. Russell’s goal is to address the reconstruction of the context of these inscriptions in order to elucidate their original impact. In the past, the palace inscriptions, including Assyrian palace inscriptions, have been published in composite editions with little or no reference to the provenience of the individual exemplars; in addition, the original excavation reports often were more interested in the content of the inscriptions than in their locations. To achieve the objective of placing these inscriptions in their original contexts and thereby provide a base for further study of them, and stimulated by two seasons of renewed excavations at Nineveh during which he studied many inscriptions in situ, Russell returned to the British Museum and Layard’s original, handwritten notes from the 19th century excavations at Nineveh—the goal being to catalogue fully and as completely as possible the individual inscriptions and their locations. The results of Russell’s labors are here published, including the first publication of several shorter inscriptions. The book is lavishly illustrated, both with museum photos and with photos by the author of many of the inscriptions in situ. The book will no doubt be the basis of all further study of the relationship between inscription and context in the palaces of the Assyrian kings.
Standage traces the story of the rise, fall and rebirth of social media over the past 2,000 years offering an illuminating perspective on the history of media, and revealing that social networks do not merely connect us today – they also ...
Presents a controversial argument for America's assistance in helping China to become an economic superpower in order to safeguard peace and the financial success of both nations, explaining how American interests can be best served if ...
The winner of New York magazine’s Best Literary Fiction award in 2005, this novel evocatively represents the forms of grief in the wake of major trauma.
The book points to the need for reconsidering the law of occupation in light of changing forms of control, such as those evident in Gaza.
Fleeing to a New England countryside house after receiving devastating news about her daughter, Vera discovers the writings of three women who endured tragedy, war and secrets in the house in respective 20th-century historical periods.
Will Hutton presents an incisive and thoroughly accessible account of China's emergence as an economic power and its developing relationship with the West.
The Writing on the Wall: Holiday Series Book #1
The Writing on the Wall: Britain in the Seventies
Now published in paperback, this book is the first systematic study to explore the way in which words have encroached on the visual arts from the late 19th century to the present day.
"Greatness meets us in this book, and not just in Mumia's personal courage and character. It's in the writing.