Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity.
The article concluded by praising New York's urban policing measures, which had led to safer streets for pedestrians, and contemplated the prospect of applying similar standards to Madrid's main thoroughfares, Calle de Alcalá and the ...
Laing warns of trying to shape those words forcibly into the kinds of frameworks familiar from scientific theorising (1990: 102–3). In a not dissimilar vein, in Shamanism, Colonialism, and the Wild Man, Michael Taussig cautions against ...
This interdisciplinary volume examines questions moving beyond the traditional concept of Spain as a singular, homogenous entity to a new understanding of Spain as an unstable set of multipolar and multilinguistic relations that can be ...
... Political Revolution and Literary Experiment in the Spanish Romantic Period (1830–1850), Hispanic Literature 47 (Lewiston, NY: Edwin Mellen, 1999), and Antonio Ros de Olano's Experiments in Post-Romantic Prose (1857–1884): Between ...
... invisibles': A History of Male Homosexuality in Spain, 1850–1940 (Cardiff: University of Wales Press, 2007); Richard Cleminson and Francisco Vázquez García, Hermaphroditism, Medical Science and Sexual Identity in Spain, 1850–1960 ...
Visualizing Spanish Modernity concentrates on the time period 1868-1939, which marks not only the beginning of the formation of a modern economy and the consolidation of the liberal state, but also the growth of urban centers and spaces ...
... Painting and the Turn to Cultural Modernity in Spain (Associated University Press, 2007); and Liberalismo y romanticismo: La reconstrucción del sujeto histórico (Biblioteca Nueva, 2012). He is presently working on a project ...
reconfigured salons in Spain as 'spaces of artistic hybridisation' (y Carmen se fue, p. ... 20.1 (2008), 79–100; Michael Christoforidis and Elizabeth Kertesz, Carmen and the Staging of Spain: Recasting Bizet's Opera in the Belle Epoque ...
But there was no Iberian Atlantic or an Atlantic World, a historical concept that refers to human connections across this ... eds, Colonial Identity in the Atlantic World, 1500–1800 (Princeton: Princeton University Press, 1989).
The British Library Board, General Reference Collection 12330.k.49. xiv D. Antonio Chaman, 'Cigarreras'. Lithograph from his Costumbres andaluzas (Seville, [1850]). Classic Image / Alamy Stock Photo. xv Carlos Vazquez, '... y así ...