"When a writer passes through the wall of oblivion, he will even then stop long enough to write something on the wall, like 'Kilroy was here.'" William Faulkner was not keen on giving interviews. More often than not, he refused, as when he wrote an aspiring interviewer in 1950, "Sorry but no. Am violently opposed to interviews and publicity." Yet during the course of his prolific writing career, the truth is that he submitted to the ordeal on numerous occasions in the United States and abroad. Although three earlier volumes were thought to have gathered most of Faulkner's interviews, continued research has turned up many more. Ranging from 1916, when he was a shabbily dressed young Bohemian poet to the last year of his life when he was putting finishing touches on his final novel The Reivers, they are collected here for the first time. Many of these articles and essays provide descriptions of Faulkner, his home, and his daily world. They report not only on the things that he said but on the attitudes and poses he adopted. Some capture him making up tall tales about himself, several of which gained credibility and became a part of the Faulkner mythology. Included too are the interviews from Faulkner at West Point. Taken together, this material provides a revealing and lively portrait of a Nobel Prize winner that many acclaim as the century's greatest writer. M. Thomas Inge, the Robert Emory Blackwell Professor of English and Humanities at Randolph- Macon College, is the author or editor of more than fifty books in American literature and in American popular culture.
For example, Sven Birkerts opens his review of High Lonesome in the New Republic by claiming, “Barry Hannah writes the most consistently interesting sentences of any writer in America today. . . . When we first encounter [Hannah's] ...
These firsthand interviews and newspaper accounts constitute a valuable edition to the sizable and ever-growing Hemingway shelf.
The American novelist discusses literature, his writings, and the role of history in fiction
Larry Brown Jay Watson ... She had raised something like twelve kids ... and they were all big on it , too . ... Brown : I've got a couple of favorites I watch over and over again , and Dr. Strangelove is one of them .
Francisco frequently told stories to Faulkner, many of them oft-repeated, about his family and community, which dated to antebellum times. Some of these stories, Wolff shows, found their way into Faulknerb2ss fiction.
William Cobb, Captain Billy's Troopers: A Writer's Life (Tuscaloosa, AL, 2015), p. 94. Joseph Blotner, ed., Selected Letters of William Faulkner (New York, 1977), p. 314. William Faulkner, 'Interviews in Japan', in Lion in the Garden: ...
to save high modernism by putting it into the museum. Modernism by the 1950s was being canonized by the New Critics and New York intellectuals as the sanctification of aesthetic technique, the modernist work typified by its virtuoso ...
FOWLES , JOHN Davis , Douglas M. He is like a lion with painted nails . National Observer ( Silver Spring , Md . ) , January 24 , 1966 , p . 21 . McCormack , Thomas , ed . Afterwords ; Novelists on Their Novels .
Inge, M. Thomas, ed., Conversations with William Faulkner, University of Mississippi Press, 1999. This collection of interviews ranges from Faulkner's early years as a writer in 1916 to the early 1960s when he was composing his last ...
Geneviève Ellis , [ Roger Asselineau ] , IV.239 ' Faulkner , Sartre and the " Nouveau Roman " , Symposium , 20 , Summer 1966 , [ Jean V. Alter ] , IV.242 Faulkner's Country Matters : Folklore and Fable in Yoknapatawpha , Baton Rouge ...