A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there...
Reproduction of the original: Wives and Widows; or the Broken Life by Ann S. Stephens
Three Out of Four Wives: Widowhood in America
Wives & Widows
... coquette as a literary stereotype had its origins in France and England, it took hold in German literature around the ... Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater (Rochester, NY: University of ...
... Seize the book, jail the author: Johann Lor- enz Schmidt and censorship in eighteenth-century Germany (West Lafayette, IN: Purdue UP, 1998); Martin Mulsow, Enlightenment underground: Radical Germany 1680–1720 (Char- lottesville ...
Heartz, Daniel, 'The Beginnings of the Operatic Romance: Rousseau, Sedaine, and Monsigny', Eighteenth-Century Studies, 15 (1981–2), 149–78 and in idem, From Garrick to Gluck, 188–209. 'The Creation of the Buffo Finale' in idem, ...
... The Stylus Phantasticus and Free Keyboard Music of the North German Baroque . London : Taylor and Francis , 2016 . Douglass , Fenner . The Language of the Classical French Organ : A Musical Tradition before 1800. New Haven , CT : Yale ...
Father Shipherd's Magna Charta : A Century of Coeducation in Oberlin College . Boston : Jones , 1937 . ... Gender and Rhetorical Space in American Life , 1866-1910 . ... Activist Rhetorics and American Higher Education 1885-1937 .
Unfortunately, the widow is equally determined never to be caught again in the marriage trap, even by the devastating, untamed Mr. Ogilvy, who is unlike anyone she has ever met.Then thieves strike, threatening everyone and everything in ...