The colorful, painterly, uplifting, and often joyous works of Henri Matisse are critical in the history of modern art. Throughout his many years as a painter, the celebrated artist kept returning to one particular subject—the windowed interior. Henri Matisse: Rooms with a View explores in depth, for the first time, the full significance of the window in Matisse’s thinking about interior and exterior space. Matisse studied and rearranged his rooms constantly; when he lived in hotels and small apartments his living quarters usually doubled as his studio. In a continuous engagement with these spaces he produced not only singular masterpieces but also developed a theme as rich as the traditional landscape or portrait. In each new phase of his art and with every change of residence, Matisse reinvented the theme of the window. Distinguished art historian Shirley Neilsen Blum analyzes more than fifty paintings, starting with the early Studio Under the Eves (1903), a traditional darkened room with a small brilliant window, through Harmony in Red (1908), with its startling use of color, pattern, and line, to the more abstract work created during World War I such as The Piano Lesson (1916). After the war Matisse moved to Nice. Tall French windows that open upon a balcony and overlook the Mediterranean define many of the paintings from these years. By the late 1940s the window is so bound to the structure of the flattened space that it is barely differentiated from a painting or piece of tapestry hanging on the wall. The luxuriously illustrated volume culminates in one of Matisse’s greatest and most original works—the Chapel of the Rosary (1947–51) at Vence—where, instead of imitating light and color in paint, he manipulated actual light through the colored glass of the windows. This insightful volume reveals not only the key role of the windowed interior in Matisse’s oeuvre but also presents an overview of the artist’s remarkable and varied career, and shows how his work paved the way for some of the most radical abstract painting of the twentieth century.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...