A list of 100 essential films.
This book explains the broader context of what the art and craft of motion picture editing entails, framing the creative acts of editing within an overall view of the production process and requirements for effective storytelling.
So the question becomes: Should the cutter make the cuts exactly as the director spelled them out, or should he cut the film his way to arrive at the results which he thinks the director wanted, basing his judgment on his interpretation ...
James Needs. and Henry Richardson) The Third Man (Carol Reed, 1949, US, ed. Oswald Hafenrichter) To Catch a Thief (Alfred Hitchcock, 1955, US, ed. George Tomasini) To Have and Have Not (Howard Hawks, ...
Topics Include: Preproduction planning Production sound recording strategies and tips Sound designing and sound editing ADR and looping New To This Edition: Contribution from Greg Russell, re-recording mixer on Salt Proper use of a boom ...
Accessibly written and brought fully up-to-date to embrace the predominance of file-based digital production, this second edition offers new insights into ultra-high-resolution footage, transitions, visual effects, collaboration, sound and ...
Henry Bumstead and the World of Hollywood Art Direction. Austin: University of Texas Press, 2003. Hughes, David, Jim Smith, and James Clarke. The Complete Lynch, London: Virgin Books Ltd., 2002. Hunter, Stephen.
This edition is completely revised and expanded, and the most popular sound editing systems, Pro Tools and Final Cut Pro, are covered in-depth.
This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" ...
This volume can rightfully be called "a film school in a single book." Investigating and analyzing the elements and concepts of motion picture creation, this book looks closely at 25 films that represent a wide range of styles and subjects.
This sequence, which outlines the transformation of a computer-generated T 1000 figure to live actor Robert Patrick, is even morenoteworthyas it was executed while the camera was tracking swiftlybackward with the actor in motion.