Find your voice–and make your writing sing! &break;&break;You know a great literary "voice" when you hear it: David Sedaris' humorous cynicism. Elmore Leonard's weary, smart-mouthed dialogue. Nick Hornby's simple yet imaginative descriptions. It's the kind of writing you should aspire to, right? &break;&break;Well...not quite. Each of these authors found success in part by developing their own unique voice: a writing style that helped define - and throw the spotlight on - their work. &break;&break;Now Les Edgerton shows you how to develop a voice of your own, one that rises above the literary din because of its individuality, not in spite of it! &break;&break;Inside, he provides guidelines, advice and dozens of exercises for recognizing and developing a natural style that will make your characters, stories and dialogue better and more memorable. You'll learn: &break;&break; How to make any piece you write unmistakably yours and yours alone&break; What agents and editors really think about using your own voice&break; How to write better by ignoring the rules&break; The keys to getting your voice and personality on the page&break; How to get back the unique voice you may have lost by trying to write like someone else &break;&break;Whether you write fiction, non-fiction or poetry, Finding Your Voice is a must for your personal library. Let's face it - editors, agents and readers all want to read something fresh and new. By finding your voice, you'll be giving them exactly what they want!
A fourth type of phasal analysis is offered by Timberlake (1985). Timberlake assumes an interval temporal semantics like Woisetschlaeger, and focuses on ...
In some languages, this elemental opposition surfaces directly, asin the Austronesian (Chamorro: Chung and Timberlake 1985; Bikol: Givón 1984) and certain ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
Justin Timberlake and Janet Jackson were performing during the halftime show when a “wardrobe malfunction” exposed for a fraction of a second the singer's ...
... 70, 85,171,231 Thomson, Greg, xix Thomson, R. W, 231, 233 Timberlake, Alan, ... J. M., 225, 235 van Putte, E., 286, 294 Vermant, S., 61,62 Vincent, N., ...
... 'timbol, –Z timber BR 'timble(r), -oz, -(e)rin, -od AM 'timblor, -orz, -(e)rin, ... -s Timberlake BR 'timboleik AM 'timbor,eik timberland BR 'timbaland, ...
... 237 St. George , R. , 38 Stilling , E. , 251 Stonequist , E. , 247 Stopka ... R. , 149 Tidwell , R. , 227 , 230 Timberlake , M. F. , 266 Ting - Toomey ...
... line on Deck D. A baby squeals in the background cacophony ofthe airport. ... spirit in terms of matter, matter in terms ofspirit,” Robert Frost said.
... 30, 31, 32, 34 Durand, D., 49 Dwyer, J. W., 78 E Egan, J., 93 Eisenberg, ... 102 Floyd, K., 85, 89, 91 Forsyth, C. J., 41, 42, 48, 5.1 Frost-Knappman, ...
Journal of Psycholinguistic Research, 4, 331–342. Freedman, D. (2007). Scribble. New York: Knopf Books for Young Readers. Frost, J. (2001).