George Lyman Kittredge's perceptive editions have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.
"With detailed notes from the world's leading center for Shakespeare studies"--Cover.
Narrated from Ariel's perspective, the story is told in language that is true to the original play but accessible to all.
Pepys Peterson Peyre Philaster Pitcher Pliny PM LA Prosser Raleigh Ranald Renan Rich, B. Rich, R. Roberts, 'Crane' Roberts, 'Wife' RP Saldivar S Bn Schmidgall Semprum The Diary of Samuel Pepys, ed. Robert Latham and William Matthews, ...
After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two ...
This unique series features newly edited texts prepared by leading scholars from America and Great Britain, in collaboration with one of the world's foremost Shakespeare authorities, David Scott Kastan of Columbia University.
shakespeare's stories.
A retelling in rhymed couplets of Shakespeare's play about an enchanted island is accompanied by illustrations created by the author's students.
The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots.
... shall never melt FERDINAND 13 gift ] ROWE ; guest F 17 rite ] ROWE ; right F 13 gift Rowe's emendation of F's ' guest ' . T. H. Howard - Hill notes that ' Crane's preferred spelling was “ guift ” ( Crane , p . III ) . F in l .
Hamlet