A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.
In their 1967 blueprint for new political action, Stokely Carmichael and Charles V. Hamilton envisioned a different result from white power. “The ultimate values and goals are not dominion or exploitation of other groups, but rather an ...
Black Like You: Herman Mashaba, an Autobiography
For Black Girls Like Me is for anyone who has ever asked themselves: How do you figure out where you are going if you don’t know where you came from?
When a black family moves to an all-white neighborhood, prejudice rears its ugly head as the white adults behave rudely and children's friendships break up.
... and Douglas Stewart, eds., Má-ka: DiasporicJuks: Contemporary Writing by Queers of African Descent (Sister Vision, 1997); includes Cheryl Clarke. Drucker, Peter, ed., Different Rainbows (Gay Men's, 2000). Elam, Harry J., and Robert ...
This American classic has been corrected from the original manuscripts and indexed, featuring historic photographs and an extensive biographical afterword.
Rinaldo Walcott's groundbreaking study of black culture in Canada, Black Like Who?, caused such an uproar upon its publication in 1997 that Insomniac Press has decided to publish a second revised edition of this perennial best-seller.
HOW BLACK MOTHERS SAY I LOVE YOU was first produced by Trey Anthony, Carys Lewis, and Girls in Bow Ties Productions at the Factory Theatre Mainspace, Toronto, on May 5, 2016. The production was directed by Trey Anthony, set, costume, ...
... like that? i quite agree with mrs. VanderbiltJones. You should have written about people like counselor spivens, who hasjust been incarcerated for a year for converting to his own use money awarded one of his clients in an equal-rights ...
The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions.