Ten original essays by advanced scholars and well-published poets address the middle generation of American poets, including the familiar---Robert Lowell, Elizabeth Bishop, Randall Jarrell, and John Berryman---and various important contemporaries: Delmore Schwartz, Theodore Roethke, Robert Hayden, and Lorine Niedecker. This was a famously troubled cohort of writers, for reasons both personal and cultural, and collectively their poems give us powerful, moving insights into American social life in the transforming decades of the 1940s through the 1960s. In addition to having worked during the broad middle of the last century, these poets constitute the center of twentieth-century American poetry in the larger sense, refuting invidious connotations of “middle” as coming after the great moderns and being superseded by a proliferating postmodern experimentation. This middle generation mediates the so-called American century and its prodigious body of poetry, even as it complicates historical and aesthetic categorizations.Taking diverse formal and thematic angles on these poets---biographical-historical, deconstructionist, and more formalist accounts---this book re-examines their between-ness and ambivalence: their various positionings and repositionings in aesthetic, political, and personal matters. The essays study the interplay between these writers and such shifting formations as religious discourse, consumerism, militarism and war, the ideology of America as “nature's nation,” and U.S. race relations and ethnic conflicts. Reading the Middle Generation Anew also shows the legacy of the middle generation, the ways in which their lives and writings continue to be a shaping force in American poetry. This fresh and invigorating collection will be of great interest to literary scholars and poets.
The Middle Generation: The Lives and Poetry of Delmore Schwartz, Randall Jarrell, John Berryman, and Robert Lowell
... Give Your Heart to the Hawks,” “Solstice,” and “Such Counsels You Gave to Me” (and the only exception to this rule occurs in this decade; the longest poem in Be Angry at the Sun, “Mara,” does not give the collection its title). Along ...
In “The Real World of Manuel Cordova,” he draws on the tradition of English-language long poems, deploying a tour-de-force stanza that hear- kens to the sonnet. Each stanza is 14 lines long. The lines vary in length from two stresses ...
But once this linguistic separation is established, the poem blends the voices, allowing the blues to come through the educated voice of the speaker. While blues songs might be sung alone, the blues performance actually creates ...
The inevitable descent of humanity to the earth's embrace, however, remains a subject for serious reflection in “The Giver,” which, perhaps inspired by Robert Herrick's “On His Departure Hence,” remains one of the few poems in English ...
Hicok, Bethany, Elizabeth Bishop's Brazil (Charlottesville: University of Virginia Press, 2016). Hopkins, David, Dada and Surrealism: A Very Short Introduction (Oxford: Oxford University Press, 2004). Lombardi, Marilyn May, The Body and ...
... to read her texts together with African theology rather than black liberation or womanist theology, the particular ... Reading the Middle Generation Anew: Culture, Community, and Form in Twentieth-Century American Poetry (Iowa City ...
She could envisage them so suspended when there was nothing more.3 “Middle of what? ... middle times diurnal (the novel's opening at dusk, for example) as well as historical (its setting mid-war), and middle spaces (liminal places such ...
Beidler, Philip D. “'King August': August Wilson in His Time.” Michigan Quarterly Review 45.4 (2006): 575–597. Bigsby, Christopher, ed. The Cambridge Companion to August Wilson. New York: Cambridge University Press, ...
... especially the wonderful e section, “New England as a Country of the Imagination: The Spirit of Place. ... lives' common conditioning” ( Ferment 100). t 8 See Ammons's “Jewett's Witches” in Critical Essays on Sarah Orne Jewett (ed.