One of the preeminent authors of the early twentieth century, Susan Glaspell (1876–1948) produced fourteen ground-breaking plays, nine novels, and more than fifty short stories. Her work was popular and critically acclaimed during her lifetime, with her novels appearing on best-seller lists and her stories published in major magazines and in The Best American Short Stories. Many of her short works display her remarkable abilities as a humorist, satirizing cultural conventions and the narrowness of small-town life. And yet they also evoke serious questions—relevant as much today as during Glaspell’s lifetime—about society’s values and priorities and about the individual search for self-fulfillment. While the classic “A Jury of Her Peers” has been widely anthologized in the last several decades, the other stories Glaspell wrote between 1915 and 1925 have not been available since their original appearance. This new collection reprints “A Jury of Her Peers”—restoring its original ending—and brings to light eleven other outstanding stories, offering modern readers the chance to appreciate the full range of Glaspell’s literary skills. Glaspell was part of a generation of midwestern writers and artists, including Sherwood Anderson, Sinclair Lewis, Willa Cather, and F. Scott Fitzgerald, who migrated first to Chicago and then east to New York. Like these other writers, she retained a deep love for and a deep ambivalence about her native region. She parodied its provincialism and narrow-mindedness, but she also celebrated its pioneering and agricultural traditions and its unpretentious values. Witty, gently humorous, satiric, provocative, and moving, the stories in this timely collection run the gamut from acerbic to laugh-out-loud funny to thought-provoking. In addition, at least five of them provide background to and thematic comparisons with Glaspell’s innovative plays that will be useful to dramatic teachers, students, and producers. With its thoughtful introduction by two widely published Glaspell scholars, Her America marks an important contribution to the ongoing critical and scholarly efforts to return Glaspell to her former preeminence as a major writer. The universality and relevance of her work to political and social issues that continue to preoccupy American discourse—free speech, ethics, civic justice, immigration, adoption, and gender—establish her as a direct descendant of the American tradition of short fiction derived from Hawthorne, Poe, and Twain.
PIPP (1899) 33–72 AMERICANS (1900) 73–9 I A WIDOW AND HER FRIENDS (1901) 92-93 THE SOCIAL LADDER (1902) 94–IO2 THE WEAKER SEX (1903) IO3–II 7 EVERY DAY PEOPLE (1964) II 8–129 OUR NEIGHBORS (1905) I3O-I44 THE GIBSON GIRL AND HER AMERICA ...
Thirty-three years later, her daughters were asked by Larry King how she was treated when, after many years, she came back to the United ... Isabella said that despite the fact her mother loved America, she never wanted to come back.
After Tony's visit, my mother was even more inspired to move to America. Every year for five years, she traveled to the American Embassy in Warsaw trying to get a visa but she was unsuccessful. When one of her friends asked her to ...
Not only for that moment, when the word “America" made an appearance in my mother's stories for the first time, and not only for that place, Nahalal, where America meant such different and contrasting things, but also a deep breath for ...
He met her when she was seventeen, he was in his forties. Love affair that lasted decades, he even had a daughter with her.” “Naughty boy, wasn't he? Did it have a happy ending?” “Not really. He fell in love with another woman, ...
Ranging from the heartfelt to the hilarious, their stories shine a light on a quintessentially American experience and will appeal to anyone with a complicated relationship to family, culture, and growing up.
America in Her Centennial Year, 1876
In this fascinating, fun take on nonfiction, uniquely American in its frank tone and honest look at the literal foundation of our country, Dave Eggers and Shawn Harris investigate a seemingly small trait of America's most emblematic statue.
Beneath an innocent exterior, are our lives complicit in a national project of theft, expropriation, oppression, and murder, or is America still the hope of the world? Dinesh D'Souza says these questions are no mere academic exercise.
A study in the collision between Western medicine and the beliefs of a traditional culture focuses on a hospitalized child of Laotian immigrants whose belief that illness is a spiritual matter comes into conflict with doctors' methods.