By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Shortlisted for the Man Booker Prize “A novel as accomplished as anything being written.”—Newsweek Number9Dream is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams. David Mitchell follows his eerily precocious, globe-striding first novel, Ghostwritten, with a work that is in its way even more ambitious. In outward form, Number9Dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name. Praise for Number9Dream “Delirious—a grand blur of overwhelming sensation.”—Entertainment Weekly “To call Mitchell’s book a simple quest novel . . is like calling Don DeLillo’s Underworld the story of a missing baseball.”—The New York Times Book Review “Number9Dream, with its propulsive energy, its Joycean eruption of language and playfulness, represents further confirmation that David Mitchell should be counted among the top young novelists working today.”—San Francisco Chronicle “Mitchell’s new novel has been described as a cross between Don DeLillo and William Gibson, and although that’s a perfectly serviceable cocktail-party formula, it doesn’t do justice to this odd, fitfully compelling work.”—The New Yorker “Leaping with ease from surrealist fables to a teenage coming-of-age story and then spinning back to Yakuza gangster battles and World War II–era kamikaze diaries, Mitchell is an aerial freestyle ski-jumper of fiction. Somehow, after performing feats of literary gymnastics, he manages to stick the landing.”—The Seattle Post-Intelligencer
Een jongeman komt van het platteland naar Tokio, waar hij tijdens zijn zoektocht naar zijn vader, die hij nooit heeft gekend, betrokken raakt bij allerlei bizarre en gewelddadige avonturen.
“Hello, Neal's Answerphone. This is Katy Forbes. Neal's separated wife. How are you? You must be rushed off your feet, considering how Neal has forgotten how to pick up receivers and dial. I want you to tell Neal that I am now the proud ...
In the wake of his sister's death and his mother's breakdown, Eiji Miyake, a young dreamer from remote rural Japan, journeys to Tokyo to find his long-lost father and comes face to face with the dark underworld of the great city and the ...
... a grimy smear on my honor as a host. But I cudn't forget that ghost-girl neither, nay she haunted my dreams wakin'n'sleepin'. So many feelin's I'd got I din't have room 'nuff for 'em. Oh, bein' young ain't easy 'cos.
Ross Wilcox and Gary Drake and Dawn Madden targeted me from the start. No matter how I tried to dodge through the fray it was hopeless. I hadn't got halfway across the lake before they got me. Ross Wilcox went for my legs, ...
Bad dreams follow, then I'm wakin', swayin' this way an' that way, like I'm out at sea, but I'm squashed underbodies like agrape in a wine press, and I think, I'm dreamin' still, but that cold puke bungin' up my earhole weren't no dream ...
Number9Dream
The outcome of the first international conference on David Mitchell's writing, this collection of critical essays focuses on his first three novels - 'Ghostwritten', 'number9dream' and 'Cloud Atlas' - to provide an analysis of Mitchell's ...
. Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house ...
“I'm Aoife's father,” I tell Duncan Priest, who's looking baffled. “The Ed? Ed Brubeck? Your”—he points to Holly—“other half? Such a pity you missed Pete's stag do last night, though.” “I'll learn to cope with the disappointment.