"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
In his trenchant review of Gene Brucker's Giovanni and Lusanna, Thomas Kuehn argued adamantly that we historians can never retrieve the social story from trial documents, for we are prisoners of our witnesses, who themselves were deeply ...
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600.
6 Raphael's letter is cited by E. H. Gombrich in ' Ideal and Type in Italian Renaissance Painting ' , Gombrich on the Renaissance . Vol . 4 : New Light on Old Masters , Phaidon Press , London , first published 1986 , 2nd ed .
"The Garden of Love is an important subject in secular art of the fifteenth century, both in Italy and in northern Europe. The chief Italian examples were all painted in...
This collection of essays by internationally acclaimed specialists explores new and surprising aspects of art and passion during the Italian Renaissance.
"A general study of palace painting in Trecento and Quattrocento Italy. Argues for the pivotal role of early secular painting in early-modern art and theory"--Provided by publisher.
Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the...
In return for the permission he required, Louis made Cesare, who in 1498 renounced the cardinalate to seek his fortune in the wars, duke of Valence – hence Duke Valentino in Italian – a name echoing his previous title, ...
He to whom Venus is the mamma was standing on top of the ball , upright , not bending so much as an inch . With the blindfold over his eyes , carrying the bow in his hand and the quiver at his side , he appears cruel , and was treating ...
1957–60 Lettere sull'arte di Pietro Aretino, 3 vols., Fidenzio Pertile & Ettore Camesasca, eds., Milan, 1957–60. ... des Egidio da Viterbo über das goldene Zeitalter und die Stanza della Segnatura,” in Festschrift Luitpold Dussler, J.