The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.
Contemporary approaches to colour and technique
Italian Renaissance Ceramics from the Corcoran Gallery of Art Collection Jacqueline Marie Musacchio ... Italian Renaissance Maiolica from the Howard I. and Janet H. Stein Collection and the Philadelphia Museum of Art ( Philadelphia ...
Italian Renaissance Maiolica from Southern Collections
The Museum’s outstanding collection of maiolica is significant because most of the major pottery centers, maiolica forms, and styles are represented.
Berlin: Mann. Heawood, Edward. 1950. Watermarks, Mainly of the Seventeenth and Eighteenth Centuries. Hilversum, The Netherlands: Paper Publications Society. Hess, Catherine. 1992. “Katalog: Kerarnik.” In Kunst in der Republik Genua ...
See also Faenza compendiaro Italian influence on pottery , 13 , 14 , 15 , 18 , 22 , 47 , 48 , 57 , 59 , 60 , 61 , 62 ... Sevilla Ware , 59 of Indian Ceramics , 81 , 98 of Mexican Ceramics , Indígena Ware , 34 , 96 ; Mexico City Ware ...
"This richly illustrated volume explores maiolica's multifaceted connection to objects ranging from Islamic metalwork to Venetian glass and examines the role of maiolica within the vast range of luxury objects made in Venice and imported ...