The minutes, hours, and days after President John F. Kennedy was shot on November 22, 1963, provided no ready answers about what was going on, what would happen next, or what any of it meant. For millions of Americans transfixed by the incomparable breaking news, television—for the first time—emerged as a way to keep informed. But the journalists who brought the story to the television airwaves could only rely on their skill, their experience, and their stamina to make sense of what was, at the time, the biggest story of their lives. President Kennedy’s assassination was the first time such big breaking news was covered spontaneously—this book tells the stories of four men who were at the epicenter of it all. Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise were among those responsible for covering the assassination and its aftermath for Dallas’s KRLD. These reporters fed news and footage to Walter Cronkite and all of the other CBS affiliates around the country. From the presidential motorcade to Parkland Hospital, from Lee Harvey Oswald’s shooting to the trial and lonesome death of Jack Ruby, these men were there, on the inside. The view they were afforded of these events was unparalleled; the tales they have to tell, one-of-a-kind. This 50th anniversary edition includes new photos, insights, and reflections on the state of news (and faux news) today from the four men who were active participants in television news' pivotal moment.
A reporter uncovers the rest of the story In More After the Break, Jen Maxfield revisits ten memorable stories from her career as a TV news reporter, describing in heart-pounding detail how the events unfolded and revealing what happened ...
Thirty Seconds to Air covers the professional and personal issues, concerns, and difficulties that a live broadcast reporter must confront and conquer in order to be successful.
Both a memoir and a "how-to" for anyone who aspires to a career in broadcast journalism, particularly sports, this book calls on Mercer's vast experience and name recognition in Texas...
In January 1982, Sauter fired Charles Kuralt and Shad Northshield from the CBS Morning Show and hired a new producer, George Merlis, to reshape the broadcast. Merlis, a former producer of ABC's Good Morning, America, kept Diane Sawyer, ...
William Strunk Jr. “If you don't have the time to read, you don't have the time or the toolstowrite.” Stephen King “Without words, without writing and without books there would benohistory, there couldbe no concept of humanity.
You spend your day in a building. You spend hours each day carefully constructing a newscast for an audience that never applauds when the broadcast is over. Unless you answer the phone or respond to viewer e-mail and take a complaint or ...
The host of "Piers Morgan Live" chronicles his career with CNN as impacted by such historical events as the defeat of Osama bin Laden and the tragic school shootings in Newtown, Connecticut.
The fourth block is primarily sports. Because sports appeals to a relatively small part of the audience, it might be useful to add into that block some stories that might have a wider appeal, especially ones with strong and promotable ...
Along with complete coverage of the fundamentals, this book contains writing samples from some of the most famous broadcast journalists, including Edward R. Murrow, Charles Kuralt, Cokie Roberts, Eric Sevareid, Pauline Frederick, Charles ...
The shots are a wide shot (WS) of dozens of people milling about a park playground, a WS of two kids on a seesaw, a medium shot (MS) of one of the kids bouncing up and down, a closeup (CU) of one of the kids' smiling faces, ...