An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.
But in this book set in an ominous Soviet Moscow of the 1920s, the members of the club are strangely mistrustful of one another, while all are under the spell of its despotic President, and there is no telling, in the end, just how lethal ...
Written in Soviet Moscow in the 1920s—but considered too subversive even to show to a publisher—the seven tales included here attest to Sigizmund Krzhizhanovsky’s boundless imagination, black humor, and breathtaking irony: a man loses ...
Where the stories included in two earlier NYRB collections (Memories of the Future and Autobiography of a Corpse) are denser and darker, the creations in Unwitting Street are on the lighter side: an ancient goblet brimful of self ...
This classic by the Pulitzer Prize-winning author is her nonfiction masterpiece--a tale of life and death on Miami's streets, which she covered for 18 years for "The Miami Herald." Reissue.
Engravings by Thomas Rowlandson and William Hogarth of eighteenth— and early—nineteenth—century dissecting rooms show cadavers' intestines hanging like parade streamers off the sides of tables, skulls bobbing in boiling pots, ...
Sigizmund Krzhizhanovsky, the Russian modernist master of the unsettling and the uncanny, also took certain liberties with the mythical baron.
From Mozart to Hitler, Rest in Pieces connects the lives of the famous dead to the hilarious and horrifying adventures of their corpses, and traces the evolution of cultural attitudes toward death"--Back cover.
This book also includes excerpts from Krzhizhanovsky’s notebooks—aphoristic glimpses of his worldview, moods, humor, and writing methods—and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek, beginning with their ...
The book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual.
Using a complex narrative structure, Gotthelf 's cautionary novella shrewdly dissects the iniquitous social dynamics of rural life.