In early 2005, Richard Polsky decided to put his much-loved, hard-won Warhol Fright Wig, up for auction at Christie's. The market for contemporary art was robust and he was hoping to turn a profit. His instinct seemed to be on target: his picture sold for $375,000. But if only Polsky had waited . . . Over the next two years, prices soared to unimaginable heights with multimillion-dollar deals that became the norm and not the exception. Buyers and sellers were baffled, art dealers were bypassed for auction houses, and benchmark prices proved that trees really do grow to the sky. Had the market lost all reason? In I Sold Andy Warhol (Too Soon), Polsky leads the way through this explosive, short-lived period when the "art world" became the "art market." He delves into the behind-the-scenes politics of auctions, the shift in power away from galleries, and the search for affordable art in a rich man's playing field. Unlike most in the art world, Polsky is not afraid to tell it like it is as he negotiates deals for clients in New York, London, and San Francisco and seeks out a replacement for his lost Fright Wig in a market that has galloped beyond his means. A compelling backdoor tell-all about the strange and fickle world of art collecting, I Sold Andy Warhol (Too Soon) takes an unvarnished look at how the industry shifted from art appreciation to monetary appreciation. From the Hardcover edition.
About the Author RICHARD Polsky is the author of I Sold Andy Warhol (Too Soon), I Bought Andy Warhol, The Art Market Guide (1995– 1998), and Boneheads: My Search for T. Rex. He began his professional career in the art world thirty-three ...
A private art dealer pulls back the curtain of his industry through the tale of a twelve-year quest to obtain an Andy Warhol painting, a journey spanning the 1980s and 1990s in a fascinating and bizarre industry few get to experience ...
The text is based on an article that originally appeared in the October/November 1996 issue of "Falcon Magazine."
First, bidders do not independently determine the fair market value of an object offered for sale. ... houses label lots with a small symbol in their sale catalogues, distinguishing the 292 Polsky, I Sold Andy Warhol. (too soon), 89.
Uses examples of the modern artist's works to teach the youngest of children colors, from purple horses to golden monkeys. 20,000 first printing.
Cremaster 4 in British cinemas while Cartier obtained the rights to present a Cremaster 4 exhibition in France in 1995, to screen the film in French cinemas, and to “secure some works [from Gladstone] at an advantageous price.
Kahlenberg, Mary Hunt, and Anthony Berlant. The Navajo Blanket. Los Angeles: Los Angeles County Museum, 1972. ———. Walk in Beauty. Layton, Utah: Gibbs Smith, 1977. Kaufman, Alice, and Christopher Selser. The Navajo Weaving Tradition.
In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter ...
When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.
Pickens offers a warm reminder that you are not alone, that what you do matters, and that someone out there wants you to succeed. • TIMELESS TOPIC: Like a trusted advisor, this book is an invaluable resource jam-packed with strategies for ...