During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Patrick Iber tells the story of left-wing Latin American artists, writers, and scholars who worked as diplomats, advised rulers, opposed dictators, and even led nations during the Cold War.
This book provides an important cross-section of case studies that highlight the connections between overt/covert activities and cultural/political agendas during the early Cold War.
46 Within a month, Levin sent out invitations to Hong Kong, Thailand, Taiwan, the Philippines, and South Korea ... Harry H. Pierson, the TAF-Bangkok representative, arranged a special screening of the Thai film The Diamond Finger, ...
This book provides a cross-section of case studies that highlight the connections between overt/covert activities and cultural/political agendas during the early Cold War.
This volume investigates the cultural sites where the global Cold War played out.
With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the ...
Diop, Senghor, Césaire, Fanon, Abrahams, Wright, Hughes, and Baldwin were all there. 7. The 1er Congrès des Écrivains et Artistes Noirs opened on the morning of September 19, 1956, in the Amphithéâtre Descartes at the Sorbonne, ...
World's Fairs and International Exhibitions have always had a political as well as a commercial and cultural context. This was particularly true during the Cold War between America and the...
The essays in this book offer the most detailed and probing examination to date of the cultural dimension of the Cold War in Southeast Asia.
Schlesinger Jr., “The Crisis of American Masculinity,” in The Politics of Hope (Boston: Houghton Mifflin, 1963), 237–46. 40.“The Screen,” New YorkTimes (August 16, 1950). For other quotationsand valuable analysis, seeSteven Watts, ...