The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
Taken together, the spirited, illuminating essays in this collection offer an unprecedented examination of a flourishing cultural production.
Don AMECHE Loretta YOUNG · Henry FONDA ALEXANDER GRAHAM BELL " THE STORY OF A 20th Century Fox Triumph !! The Story of Alexander Graham Bell , Irving Cummings . © Twentieth Century Fox , 1939 . connections invariably involved .
Engaging Film Criticism examines recent American cinema in relationship to its «imaginative intertexts», films from earlier decades that engage similar political and cultural themes.
Kael was right; for a relatively brief moment, movies did matter to a population that read movie critics and believed discussing movies was significant. And yet, just when movies and the critics seemed to hit an intellectual peak, ...
This is the only book that thoroughly treats Hollywood—and the most significant movies that it has made—simultaneously as the coming together of an art, a craft, and a business.
In this pioneering work, sixteen historians analyse individual films for deeper insight into US institutions, values and lifestyles.
Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.
Presenting a model of film studies in which films themselves are only one source of information among many, this volume brings together film histories that draw on primary sources including collections of personal papers, popular and trade ...
Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.
Traces the development of the movie musical, discusses the role of the genre, and looks at the structure, style, and themes of American musicals