In the 1940s and 50s, a jazz aficionado could find paradise in the nightclubs of San Francisco's Fillmore District: Billie Holiday sang at the Champagne Supper Club; Chet Baker and Dexter Gordon jammed with the house band at Bop City; and T-Bone Walker rubbed shoulders with the locals at the bar of Texas Playhouse. The Fillmore was one of the few neighborhoods in the Bay Area where people of color could go for entertainment, and so many legendary African American musicians performed there for friends and family that the neighborhood was known as the Harlem of the West. Over a dozen clubs dotted the twenty-block-radius. Filling out the streets were restaurants, pool halls, theaters, and stores, many of them owned and run by African Americans, Japanese Americans, and Filipino Americans. The entire neighborhood was a giant multicultural party pulsing with excitement and music. In 220 lovingly restored images and oral accounts from residents and musicians, Harlem of the West captures a joyful, exciting time in San Francisco, taking readers through an all-but-forgotten multicultural neighborhood and revealing a momentous part of the country's African American musical heritage.
"In 2006, Chronicle Books published the first version of the book, 'Harlem of the West: The San Francisco Fillmore Jazz Era.
Harlem Renaissance in the West: The New Negro's Western Experience will change the way students and scholars of the Harlem Renaissance view the efforts of artists, musicians, playwrights, club owners, and various other players in African ...
The book also introduces notable Manhattanville residents, such as founders Jacob and Hannah Lawrence Schieffelin, clothier Daniel Devlin, and New York City Mayor Daniel F. Tiemann.
The singer halts . The emcee steps to the house mike and raises his hand for quiet . He does not know what to say , and says ineffectually that the song was written to be sung and urges that the singer be allowed to continue .
SAVAGE,AUGUSTA FELLS 293 along with art by Aaron Douglas. Attendees included entertainer FLORENCE MILLS, author and political activist JAMES WELDON JOHNSON, PATRON and writer CARL VAN VECHTEN, and performing artist ETHEL WATERS.
Stern, Robert A.M., Thomas Mellins, and David Fishman. New York 1880: Architecture and Urbanism in the Gilded Age. New York: Monacelli Press, 1999. ———, Gregory Gilmartin, and John Montague Massengale. New York 1900: Metropolitan ...
Harlem Grown is an independent, not-for-profit organization. The author’s share of the proceeds from the sale of this book go directly to Harlem Grown.
Nineteenth-century Muslim peddlers arrived at Ellis Island, bags heavy with embroidered silks from their villages in Bengal.
26 ; rhyme is from “ West Indies Blues , ” by Edgar Dowell , Spencer Williams , and Clarence Williams . ( New York : Clarence Williams Music Publishing Co. , 1924 ) . Interview , Viola Scott Thomas , New York City , July 24 , 1980 . 90.
Abdullah weaves together the stories of these African Muslims to paint a fascinating portrait of a community's efforts to carve out space for itself in a new country.