An unprecedented collection of polemical and autobiographical writings by America's greatest composer-critic. Following on the critically acclaimed 2014 edition of Virgil Thomson's collected newspaper music criticism, The Library of America and Pulitzer Prize-winning music critic Tim Page now present Thomson's other literary and critical works, a body of writing that constitutes America's musical declaration of independence from the European past. This volume opens with The State of Music (1939), the book that made Thomson's name as a critic and won him his 14-year stint at the New York Herald.
The first definitive biography of the acclaimed American composer and music critic describes Thomson's youth in turn-of-the-century Kansas City, his long struggle to accept his homosexuality, his musical studies, his rivalry with colleagues ...
Virgil Thomson had already established himself as one of the nation's leading composers when he published The State of Music (1939), the book that made his name as a writer and won him a fourteen-year stint as chief music reviewer at the ...
Virgil Thomson
Selected Letters of Virgil Thomson
Acknowledging that he was “not wholly untouched by the tabloid,”31 Hitchcock wrote in The Hound & Horn about Proust, Ruskin, and movie fan magazines. “Would that I had more of your equable temper and were less easily excited by ...
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
A Virgil Thomson Reader
American Music Since 1910
This collection of roughly 400 letters from between 1926-1946 reveals the spark that existed between the two American masters over the course of their sometimes rocky & always fascinating friendship.
This volume opens with The State of Music (1939), the book that made Thomson’s name as a critic and won him his 14-year stint at the New York Herald Tribune.