Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left their own imprint on the emerging styles. The study is based on the author's own interviews, begun in the 1950s, on the extensive material gathered by the Oral History Project in New Orleans, on the recent scholarship of a new generation of writers, and on an exhaustive examination of related newspaper files from the jazz era. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. A Trumpet around the Corner for the first time brings the story up to the present, describing the worldwide interest in the New Orleans jazz revival of the 1950s and 1960s, and the exciting resurgence of the brass bands of the last decades. The book discusses the renewed concern over New Orleans's musical heritage, which is at great risk after the catastrophe of Hurricane Katrina's floodwaters. Samuel Charters, eminent historian of jazz and blues music, is author of the award-winning The Roots of the Blues and numerous other titles. A resident of Storrs, Connecticut, and Stockholm, Sweden, he is also a Grammy-winning record producer, musician, poet, and fiction writer and was inducted into the Blues Hall of Fame in 1994.
ILLUSTRATIONS A Rock Island locomotive, c.1880 The Crane River Jazz Band, c.1950 (© Martin Colyer) The Crane River Jazz Band open for Big Bill Broonzy, February 1952 (© Martin Colyer) Bunk Johnson and Lead Belly with George Lewis and ...
From bestselling author Gary Krist, a vibrant and immersive account of New Orleans’ other civil war, at a time when commercialized vice, jazz culture, and endemic crime defined the battlegrounds of the Crescent City Empire of Sin re ...
In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions.
... A Trumpet around the Corner: The Story of New Orleans Jazz (Jackson: University Press of Mississippi, 2008), 176. 90. “Market Street Blues,” OK 8201, St. Louis, ca. December 2, 1924, Rust, Jazz Records 1897–1942; Charters, A Trumpet around ...
In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical ...
... or piece of information. a word to the wise a hint or brief explanation given, that being all that is required. ... or speech by heart. wordplay n. the witty exploitation of the meanings and ambiguities of words. word problem n.
[AD) n] — I'm sure we watched the nightly news, and then weturned on the movie. • ADv Nightly is also an adverb. L. She appears nightly on the television newS. nightmare •00 /naltmear/ (nightmares) E. N-count A nightmare is a very ...
"Music is the memory of New Orleans. For all of the corruption, poverty and violence, the music is elemental, a gorgeous collective chorus to the best instincts of the human...
Amer . breakfast - food manu Prou.dhon ( proo - don ' ) , Pierre Joseph 1809–65 . French utopian facturer . socialist . Post , Christian Frederick 1710 ? -85 . German - born Amer , missionary . Proust ( proost ) , Marcel 1871–1922 .
In Songs of Sorrow renowned music scholar Samuel Charters tells McKim's personal story. Letters reveal the story of young women's lives during the harsh years of the war.