A social history of country music from the 1920s to the present, discussing such artists as Patsy Cline, Grandpa Jones, Dolly Parton, and Garth Brooks.
A close-up look at country music argues that it has become a national art form, reflecting the same themes that have characterized American art and literature over three centuries
Anthropologist and musician Aaron A. Fox spent years in Lockhart making research notes, music, and friends. In Real Country, he provides an intimate, in-depth ethnography of the community and its music.
I will furthermore outline the most important facts and events regarding the music, including the life and work of Merle Haggard, who perfectly represented the theme of nostalgia in country music.
Inhaltsangabe:Introduction: All American music reflects the landscape from which it springs and as that landscape changes, chewed up by the developments and industry and environmental disasters, as the air we heave in and out of our lungs ...
Pugh, Ronnie. “Country Music: An Etymological Journey.” Journal of Country Music 19, no. 1 (1997): 32–38. Putman, Curly. “Curly Putman: An Exclusive CSR Interview.” Country Song Roundup, April 1970, 3435. Quintanilla, Michael.
The focus on class is long overdue and entirely welcome. This book exemplifies a revitalized and analytically potent resurrection of class studies, and one that is rich, embodied, and granular.
For lyricists, however, the line presents a moment of expression, an opportunity to relate an idea, image, or emotion. These lines represent boundaries of their kind as well, but as the chapters in this volume indicate, some of the more ...
... (#3); “I'm Giving You Denver” by Jean Shepard (#74); “If You Ever Get to Houston (Look Me Down)” by Don Gibson (#16); “It's a Cowboy Lovin' Night” by Tanya Tucker (#7); “Last Gunfighter Ballad” by Johnny Cash (#38); “Luckenback, ...
Throughout, La Chapelle's keen attention to shifting geographies and urban and suburban spaces is one of the work's real strengths. Another strength is the book's focus on dress, ethnicity, and the manufacturing of style.
This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.