An exploration of the cultural impact of Samuel Barber’s Adagio for Strings, the Pieta´ of music, and its enigmatic composer. "Whenever the American dream suffers a catastrophic setback, Barber’s Adagio plays on the radio.”—Alex Ross, author of The Rest is Noise In the first book ever to explore Samuel Barber’s Adagio for Strings, music and literary critic Thomas Larson tells the story of the prodigal composer and his seminal masterpiece: from its composition in 1936, when Barber was just twenty-six, to its orchestral premiere two years later, led by the great Arturo Toscanini, and its fascinating history as America’s secular hymn for grieving our dead. Older Americans know Adagio from the funerals and memorials for Presidents Roosevelt and Kennedy, Albert Einstein, and Grace Kelly. Younger Americans recall the work as the antiwar theme of the movie Platoon. Still others treasure the piece in its choral version under the name Agnus Dei. More recently, mourners heard Adagio played as a memorial to the victims of the 9/11 attacks. Barber’s Adagio is truly the saddest music ever written, enrapturing listeners with its lyric beauty as few laments have. The Adagio’s sonorous intensity also speaks of the turbulent inner life of its composer, Samuel Barber (1910-1981), a melancholic who, in later years, descended into alcoholism and severe depression. Part biography, part cultural history, part memoir, The Saddest Music ever Written captures the deep emotion Barber’s great elegy has stirred throughout the world during its seventy-five-year history, becoming an icon of our national soul.
29 Dover Beach gained recognition from Ralph Vaughan Williams, who heard it in 1932 when he lectured at Bryn Mawr College. Shortly after Barber completed the final version of the work, he visited the British composer and sang the song ...
In This Will End in Tears: The Miserabilist Guide to Music, author Adam Brent Houghtaling explains why, while offering up a compendium of history's masters of melancholy and the greatest sad songs of all time, featuring artists across ...
There is no escapism, no false consolation in Shostakovich’s greatest music: this is some of the darkest, saddest, at times bitterest music ever composed.
Larson guides the reader from the autobiography and the personal essay to the memoir--a genre focused on a particularly emotional relationship in the author's past, an intimate story concerned more with who is remembering, and why, than ...
In The Sanctuary of Illness, Thomas Larson (The Memoir and the Memoirist; The Saddest Music Ever Written) gives a powerful and personal inside tour of what happens when our arteries fail.
In Clayborne Carson, Susan Carson, Adrienne Clay, Kieran Taylor, and Virginia Shadron, eds., The Papers of Martin Luther King, Jr.: Volume IV: Symbol of the Movement, January 1957–December 1958, pp. 328–43.
Complete with a ranked Countdown of Doom and wonderfully dreary drawings, I HATE MYSELF AND WANT TO DIE is the one book that fans and foes of woeful tunes wont want to live without.
With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
faithful and Langston's family besiege him, the last straggler, to get up. They pray for him “in a mighty wail of moans and voices.” And, though he feels he wants to receive the Lord, nothing happens. He waits again.
. . . This lovely novel is as satisfying and enlightening as the music that suffuses its every page.”—The Boston Globe “Magnificent . . .