An exploration of the cultural impact of Samuel Barber’s Adagio for Strings, the Pieta´ of music, and its enigmatic composer. "Whenever the American dream suffers a catastrophic setback, Barber’s Adagio plays on the radio.”—Alex Ross, author of The Rest is Noise In the first book ever to explore Samuel Barber’s Adagio for Strings, music and literary critic Thomas Larson tells the story of the prodigal composer and his seminal masterpiece: from its composition in 1936, when Barber was just twenty-six, to its orchestral premiere two years later, led by the great Arturo Toscanini, and its fascinating history as America’s secular hymn for grieving our dead. Older Americans know Adagio from the funerals and memorials for Presidents Roosevelt and Kennedy, Albert Einstein, and Grace Kelly. Younger Americans recall the work as the antiwar theme of the movie Platoon. Still others treasure the piece in its choral version under the name Agnus Dei. More recently, mourners heard Adagio played as a memorial to the victims of the 9/11 attacks. Barber’s Adagio is truly the saddest music ever written, enrapturing listeners with its lyric beauty as few laments have. The Adagio’s sonorous intensity also speaks of the turbulent inner life of its composer, Samuel Barber (1910-1981), a melancholic who, in later years, descended into alcoholism and severe depression. Part biography, part cultural history, part memoir, The Saddest Music ever Written captures the deep emotion Barber’s great elegy has stirred throughout the world during its seventy-five-year history, becoming an icon of our national soul.
In This Will End in Tears: The Miserabilist Guide to Music, author Adam Brent Houghtaling explains why, while offering up a compendium of history's masters of melancholy and the greatest sad songs of all time, featuring artists across ...
Complete with a ranked Countdown of Doom and wonderfully dreary drawings, I HATE MYSELF AND WANT TO DIE is the one book that fans and foes of woeful tunes wont want to live without.
Samuel Osmond Barber II—named after his paternal grandfather—was born on March 9, 1910, in the quiet town of West Chester, Pennsylvania, thirty miles from Philadelphia. In the mid-nineteenth century West Chester had been an affluent ...
Music critic Matthew Guerrieri reaches back before Beethoven’s time to examine what might have influenced him in writing his Fifth Symphony, and forward into our own time to describe the ways in which the Fifth has, in turn, asserted its ...
There is no escapism, no false consolation in Shostakovich’s greatest music: this is some of the darkest, saddest, at times bitterest music ever composed.
Those from my groups (some of whose words and stories appear in these pages): Kay Sanger, Joan Mangan, Ollie McNamara, Paul Havermale, Sheila Fisher, Tami Dumai, Sue Norberg, Steve Montgomery, Linda Hutchinson, Patrick McMahon, ...
In Touch Me, I’m Sick, Tom Reynolds offers hilarious riffs on 52 love songs that have gone off the rails into the realm of the tawdry, the overwhelming, the obsessive, the self-absorbed, and the completely weird.
Firefly Lane is for anyone who ever drank Boone's Farm apple wine while listening to Abba or Fleetwood Mac. More than a coming-of-age novel, it's the story of a generation of women who were both blessed and cursed by choices.
THE HOTLY ANTICIPATED SEQUEL TO THE NO. 1 BESTSELLER CARRY ON Simon Snow is back and he's coming to America! The story is supposed to be over. Simon Snow did everything he was supposed to do. He beat the villain. He won the war.
In The Sanctuary of Illness, Thomas Larson (The Memoir and the Memoirist; The Saddest Music Ever Written) gives a powerful and personal inside tour of what happens when our arteries fail.