This book takes a fresh look at visual representations of women in the ancient Near East, Egypt, Greece, and Rome, and analyzes them for indications of women's roles in these societies. After examining their traditional functions as wives and mothers, the author presents evidence of women's participation in the public and religious spheres. Juxtapositions comparing images and attitudes of each society reveal whether the women portrayed are meant to be examples of perfect femininity or the object of scorn, faithful wives or untouchable priestesses or high-living prostitutes. Depictions of goddesses and the dress and adornments of women are analyzed for what they divulge about ideals of feminine beauty and attitudes toward female nudity. The text is packed with quotations from contemporary sources that reveal details about women in the ancient world, often with surprising resonance for our own time. The illustrations, many specially commissioned, include public art and domestic artifacts: sculptures, wall and mummy case paintings, engravings, silver objects, and jewelry.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...