Reyner Banham and the Paradoxes of High Tech reassesses one of the most influential voices in twentieth-century architectural history through a detailed examination of Banham’s writing on High Tech architecture and its immediate antecedents. Taking as a guide Banham’s habit of structuring his writings around dialectical tensions, Todd Gannon sheds new light on Banham’s early engagement with the New Brutalism of Alison and Peter Smithson, his measured enthusiasm for the “clip-on” approach developed by Cedric Price and the Archigram group, his advocacy of “well-tempered environments” fostered by integrated mechanical and electrical systems, and his late-career assessments of High Tech practitioners such as Norman Foster, Richard Rogers, and Renzo Piano. Gannon devotes significant attention to Banham’s late work, including fresh archival materials related to Making Architecture: The Paradoxes of High Tech, the manuscript he left unfinished at his death in 1988. For the first time, readers will have access to Banham’s previously unpublished draft introduction to that book.
Had he written the book a few years later he would find an abundance of examples in speculative art and science fiction cinema, mediums where it continues to provoke wonder to this day.
Dr. George Clarkson, “The Old Cottage Porch,” Songs and Specialties (Paterson, NJ: J. W. McKee, 1871), American Memory from the Library of Congress, Music Division; accessed at http://hdl.loc.gov/loc.music/ sm1871.07085.
"Including an exhaustive presentation of sketches, models, computer renderings, working drawings, and photographs of the construction process and the finished work, this book documents the project at a level of detail that allows complete ...
Zaha Hadid: BMW Central Building, the seventh volume in the Source Books in Architecture series, provides a comprehensive look at this instant modern masterpiece.
This volume is part of a series that focuses on one work and includes sketches, models, renderings, drawings, and photographs of each design stage to illuminate the design and construction process.
Summary: The Miller House, completed in 1992 in Lexington, Kentucky, stands as architect José Oubrerie's signal accomplishment in the United States. Oubrerie is among the last members of Le Corbusier's Paris atelier.
Describes the one hundred year history of internal atmosphere and light management systems from convection-duct ventilation to solar-wall heating This book is offered as a contribution to the history of architecture as normally understood ...
This relationship between sex and buildings mattered more than ever in the United States and Europe during the turbulent twentieth century, when a culture of unprecedented sexual frankness and tolerance emerged and came to dominate many ...
Richard J. Williams. 49 50 51 Interview with Paul Barker. Banham, 'The Crisp at the ... On Frampton's and Banham's politics, see Stan Allen and Hal Foster, 'A Conversation with Kenneth 67 Frampton', October, 106 (Fall 2003), pp. 35–58.
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