As presented by Oxford University's Museum of the History of Science, Steampunk is rooted inthe aestetics of Victorian technology. Yet it is not a nostalgic recreation of a vanished past: its deveices are both imaginative and contemporary. The Steampunk exhibition, curated by Art Donovan, revealed the many possible responses to Steampunk's characteristics preoccupation with the historical and the contemporary, the mechanical and the fanciful. In imagining a Victorian future that has not come to pass, Steampunk artists cast an oblique light ont he present. But their unrealized "futures" are more celebration than commentary. Steampunk revels in the ingenuity and absurdity of the mechanisms produced and the unqualified pleasure increation. It is only fitting that the world's first museum exhibition of genuine Steampunk art premiered at the Oxford University Museum of the History of Science, which houses the world's greatest collection of important scientific artifacts and devices. The popular Steampunk exhibition ran from October 2009 to February 2010, featured the work of 18 international Steampunk artists, and drew more than 70,000 visitors to the museum.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...